Start An Art Collection

Starting an art collection is about discovering works that inspire while building confidence as a collector. This selection highlights signed art editions by renowned artists, all available for under €2,500.

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138 products

JR - Olho, Estadio de PacaembuJR - Olho, Estadio de Pacaembu
JR - Olho, Estadio de Pacaembu Sale price€1.400,00
JR, KikitoJR, Kikito
JR - Kikito Sale price€1.500,00
JR - In the Container WallJR - In the Container Wall
JR - In the Container Wall Sale price€2.400,00
JR - Death Valley BillboardJR - Death Valley Billboard
JR - Death Valley Billboard Sale price€2.000,00
Joseph Kosuth - L'Essence de la rhétorique...Joseph Kosuth - L'Essence de la rhétorique...
Joseph Beuys - ParteiendiktaturJoseph Beuys - Parteiendiktatur
Joseph Beuys - Parteiendiktatur Sale price€1.000,00
Joseph Beuys - Aufbau
Joseph Beuys - Aufbau Sale price€1.700,00
Joseph Beuys - 7000 EichenJoseph Beuys - 7000 Eichen
Joseph Beuys - 7000 Eichen Sale price€1.400,00
John Baldessari - Supreme Skateboard SetJohn Baldessari - Supreme Skateboard Set
John Baldessari - Give me a B, give me an A...John Baldessari - Give me a B, give me an A...
Jenny Holzer - Water Board 0000090Jenny Holzer - Water Board 0000090
Jenny Holzer - Water Board 0000090 Sale price€1.900,00
Jack Pierson - Stardust
Jack Pierson - Stardust Sale price€1.200,00
Günther Förg - Six Rectangles
Günter Fruhtrunk - Schwarz-Grünes KontinuumGünter Fruhtrunk - Schwarz-Grünes Kontinuum
Günter Fruhtrunk - OrgelpunktGünter Fruhtrunk - Orgelpunkt
Günter Fruhtrunk - Orgelpunkt Sale price€950,00
Grayson Perry, Piggy BankGrayson Perry, Piggy Bank
Grayson Perry - Piggy Bank Sale price€1.500,00
Grayson Perry - Home Worker & Key Worker Staffordshire FiguresGrayson Perry - Home Worker & Key Worker Staffordshire Figures
Gert & Uwe Tobias - UntitledGert & Uwe Tobias - Untitled
Gert & Uwe Tobias - Untitled Sale price€1.200,00
Georg Baselitz - Der BergGeorg Baselitz - Der Berg
Georg Baselitz - Der Berg Sale price€1.400,00
François Morellet - UntitledFrançois Morellet - Untitled
François Morellet - Untitled Sale price€1.300,00
France-Lise McGurn - Dream Bod and BroncoFrance-Lise McGurn - Dream Bod and Bronco
Erró, Are You Ready
Erró, Are You Ready Sale price€1.600,00
Elizabeth Peyton - Portrait of Alexander TovborgElizabeth Peyton - Portrait of Alexander Tovborg
Elaine Sturtevant - Duchamp Triptych
Ed Ruscha - Various Small Fires and MilkEd Ruscha - Various Small Fires and Milk
Ed Ruscha - Sweet TatersEd Ruscha - Sweet Taters
Ed Ruscha - Sweet Taters Sale price€1.700,00
Ed Ruscha - Some Los Angeles ApartmentsEd Ruscha - Some Los Angeles Apartments
Daniel Richter  - Propaganda IIDaniel Richter  - Propaganda II
Daniel Richter - Propaganda II Sale price€900,00
Daniel Buren - Untitled (Leporello)Daniel Buren - Untitled (Leporello)
Damien Hirst - Fruitful (Small)Damien Hirst - Fruitful (Small)
Damien Hirst - Fruitful (Small) Sale price€1.300,00
Damien Hirst - Forever (Small)
Damien Hirst - Forever (Small) Sale price€1.300,00
Cindy Sherman - Untitled 103Cindy Sherman - Untitled 103
Cindy Sherman - Untitled 103 Sale price€2.200,00
Chris Ofili - R.I.P. Stephen Lawrence
Candida Höfer - N.Y Carlsberg Glyptotek Copenhagen IIICandida Höfer - N.Y Carlsberg Glyptotek Copenhagen III
C.O. Paeffgen - NudeC.O. Paeffgen - Nude
C.O. Paeffgen - Nude Sale price€800,00
C.O. Paeffgen - QueenC.O. Paeffgen - Queen
C.O. Paeffgen - Queen Sale price€1.000,00
Barbara Kruger - I Shop Therefore I AmBarbara Kruger - I Shop Therefore I Am
Arnulf Rainer - Büste im NebelArnulf Rainer - Büste im Nebel
Arnulf Rainer - Büste im Nebel Sale price€2.400,00
André Butzer - Untitled (Wanderer)André Butzer - Untitled (Wanderer)
André Butzer - Untitled (Ich will erstmal 'ne Cola!)André Butzer - Untitled (Ich will erstmal 'ne Cola!)
Albert Oehlen - Meditation über Bürokratische TendenzenAlbert Oehlen - Meditation über Bürokratische Tendenzen
Albert Oehlen - Cezanne
Albert Oehlen - Cezanne Sale price€1.000,00
Elizabeth Peyton - Frederick Douglass
01

How to Build an Art Collection

Starting an art collection is not simply about acquiring works — it’s a process of discovery, intention, and growth. The first step is to define your goals: are you collecting for the joy of living with art, as an investment, or to build a legacy? Setting a budget and focus from the beginning helps you make confident choices and avoid impulsive purchases.

Education is essential. Visit galleries, museums, and fairs; study exhibition catalogs and auction results; follow artists and galleries online. The more art you see, the sharper your eye becomes. Over time, you will learn to recognize quality, authenticity, and artistic significance — and, just as importantly, understand what personally resonates with you.

When buying, always check provenance, condition, and authenticity. For editioned works, pay attention to the edition number, signature, and print quality. Signed prints, photographs, and multiples are a safe and accessible entry point, offering original works by established artists at lower price levels than unique pieces.

Your collection will evolve over time. Anchor works may define its character, while smaller acquisitions provide context and variety. There is no need to build a collection overnight — thoughtful, deliberate choices will result in a stronger and more meaningful collection in the long run.

Marcel Dzama – Midnights Moon Light
02

Develop Your Personal Taste

Every strong collection reflects the unique perspective of its owner. Developing personal taste is therefore central to collecting. Taste is not something fixed — it grows and evolves through exposure to different artists, mediums, and movements. The more you look, the more confident you will become in understanding what speaks to you.

Seek out a wide range of art. Visit exhibitions and fairs, explore both established and emerging artists, and spend time with works you would not normally gravitate towards. These encounters broaden your understanding and may reveal unexpected affinities. Keeping notes or saving images of works that catch your attention can help you see patterns emerge: perhaps you are drawn to bold abstraction, figurative narratives, conceptual text, or political commentary.

Trust your instincts. Emotional response is as valuable as academic or market reasoning. A work that lingers in your mind or sparks a reaction is often more meaningful than one that simply fits a trend. Over time, these preferences will give your collection coherence and authenticity.

Developing taste is a long-term journey. By refining your eye and understanding, you not only become a more confident collector but also create a collection that reflects your vision — one that is personal, distinctive, and enduring.

David Shrigley - Small Print
03

Start Small: Focus on Editions, Works on Paper, Books

For many collectors, the best way to begin is to start small. Rather than rushing to acquire unique paintings or large sculptures, focus on art editions, works on paper, and books. These categories offer accessible entry points while still providing the depth, originality, and authenticity collectors seek.

Editions such as signed prints, photographs, and multiples allow you to own original works by leading contemporary and postwar artists at a fraction of the price of unique pieces. Because they are numbered and often limited in availability, editions maintain cultural and market significance while being more financially attainable.

Works on paper — drawings, watercolors, or preparatory studies — provide an intimate view of an artist’s process. These pieces often reveal spontaneity and experimentation, making them rewarding for collectors who want to understand an artist’s practice beyond finished works.

Books, catalogues, and portfolios are another meaningful way to begin. Monographs and exhibition catalogues enrich your knowledge and often contain rare reproductions or even signed elements. Collecting books alongside artworks helps build a broader, more informed relationship with the artists and movements you care about.

Starting small does not mean collecting less seriously. Each acquisition can be the foundation of a larger journey. By focusing on editions, works on paper, and books, you begin to shape a collection that balances accessibility with significance — one that can grow steadily in both scope and value.

01

How to Build an Art Collection

Starting an art collection is not simply about acquiring works — it’s a process of discovery, intention, and growth. The first step is to define your goals: are you collecting for the joy of living with art, as an investment, or to build a legacy? Setting a budget and focus from the beginning helps you make confident choices and avoid impulsive purchases.

Education is essential. Visit galleries, museums, and fairs; study exhibition catalogs and auction results; follow artists and galleries online. The more art you see, the sharper your eye becomes. Over time, you will learn to recognize quality, authenticity, and artistic significance — and, just as importantly, understand what personally resonates with you.

When buying, always check provenance, condition, and authenticity. For editioned works, pay attention to the edition number, signature, and print quality. Signed prints, photographs, and multiples are a safe and accessible entry point, offering original works by established artists at lower price levels than unique pieces.

Your collection will evolve over time. Anchor works may define its character, while smaller acquisitions provide context and variety. There is no need to build a collection overnight — thoughtful, deliberate choices will result in a stronger and more meaningful collection in the long run.

02

Develop Your Personal Taste

Every strong collection reflects the unique perspective of its owner. Developing personal taste is therefore central to collecting. Taste is not something fixed — it grows and evolves through exposure to different artists, mediums, and movements. The more you look, the more confident you will become in understanding what speaks to you.

Seek out a wide range of art. Visit exhibitions and fairs, explore both established and emerging artists, and spend time with works you would not normally gravitate towards. These encounters broaden your understanding and may reveal unexpected affinities. Keeping notes or saving images of works that catch your attention can help you see patterns emerge: perhaps you are drawn to bold abstraction, figurative narratives, conceptual text, or political commentary.

Trust your instincts. Emotional response is as valuable as academic or market reasoning. A work that lingers in your mind or sparks a reaction is often more meaningful than one that simply fits a trend. Over time, these preferences will give your collection coherence and authenticity.

Developing taste is a long-term journey. By refining your eye and understanding, you not only become a more confident collector but also create a collection that reflects your vision — one that is personal, distinctive, and enduring.

03

Start Small: Focus on Editions, Works on Paper, Books

For many collectors, the best way to begin is to start small. Rather than rushing to acquire unique paintings or large sculptures, focus on art editions, works on paper, and books. These categories offer accessible entry points while still providing the depth, originality, and authenticity collectors seek.

Editions such as signed prints, photographs, and multiples allow you to own original works by leading contemporary and postwar artists at a fraction of the price of unique pieces. Because they are numbered and often limited in availability, editions maintain cultural and market significance while being more financially attainable.

Works on paper — drawings, watercolors, or preparatory studies — provide an intimate view of an artist’s process. These pieces often reveal spontaneity and experimentation, making them rewarding for collectors who want to understand an artist’s practice beyond finished works.

Books, catalogues, and portfolios are another meaningful way to begin. Monographs and exhibition catalogues enrich your knowledge and often contain rare reproductions or even signed elements. Collecting books alongside artworks helps build a broader, more informed relationship with the artists and movements you care about.

Starting small does not mean collecting less seriously. Each acquisition can be the foundation of a larger journey. By focusing on editions, works on paper, and books, you begin to shape a collection that balances accessibility with significance — one that can grow steadily in both scope and value.

Elizabeth Peyton - Frederick DouglassMarcel Dzama – Midnights Moon LightDavid Shrigley - Small Print
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