Katharina Grosse – Der Stuhl

Katharina Grosse's Der Stuhl (The Chair) is a signed limited edition digital pigment print that translates her expansive, site-specific painting practice into an intimate and highly focused work on paper. The image depicts the artist's own studio, saturated with sweeping fields of color that dissolve distinctions between background, object, and action. As in her large-scale installations, color functions not as a descriptive device but as an active spatial force, enveloping furniture, walls, and tools within a continuous painterly field.

Rather than documenting the studio as a neutral workspace, Der Stuhl transforms it into a site of aesthetic inquiry. The chair becomes a quiet anchor within a dynamic chromatic environment, while visible traces of paint and process foreground the act of making itself. The compressed scale and photographic framing lend the artwork an immediacy, echoing a fleeting snapshot, yet the layered color insists on painting as an immersive, conceptual experience rather than mere representation.

Published in 2020 in a signed limited edition of 100 prints, Der Stuhl (The Chair) is hand-signed and numbered by the artist.

Katharina Grosse (German, b. 1961) is a leading figure in contemporary painting, internationally recognized for expanding the medium through an immersive, spatial practice. Working across painting, installation, works on paper, and fine art prints, she is best known for applying color directly onto architecture, landscapes, and everyday objects, often using industrial spray guns. In Grosse's work, color functions as an autonomous element, reshaping perception and redefining the relationship between image, object, and space.

Her practice pushes painting beyond the canvas and into real environments, treating walls, floors, furniture, and natural settings as active painterly surfaces. By collapsing the boundaries between painting and sculpture, Grosse emphasizes process, scale, and physical experience. This approach situates her artwork within a lineage of postwar abstraction while aligning it with contemporary discussions around site-specificity, materiality, and the limits of pictorial form.

Grosse's work addresses how painting operates within an image-saturated culture. Rather than depicting space, her compositions actively produce it, engaging viewers on both a visual and bodily level. This position has made her an essential voice in conversations about experiential abstraction and the continued evolution of painting in contemporary art.

Alongside her monumental installations, Grosse produces works on paper and limited edition prints that translate her spatial investigations into more concentrated formats. These signed artworks preserve the immediacy, intensity, and openness of her painterly language while offering insight into her broader artistic process. Within the international art landscape, Katharina Grosse occupies a central position, consistently reshaping expectations of what painting can be.