Marcel Dzama – La Revolución va a Ser Femenina

Marcel Dzama's La Revolución va a Ser Femenina (2017) is a limited edition lithograph that brings together surreal imagery, political symbolism, and feminist narrative. The composition centers on armed female figures arranged in a ceremonial, almost theatrical formation, set against a radiating red-and-white backdrop that evokes propaganda posters and revolutionary iconography.

Drawing on influences from folklore, Dada, and early modernist illustration, Dzama merges fantasy with historical and contemporary political references. The recurring motifs of masks, animals, and symbolic weapons transform the scene into an allegory of resistance, positioning femininity as a disruptive and transformative force. Rendered in his distinctive fine linework and muted color palette, the fine art print balances playfulness with underlying violence and control.

Published in 2017 in a limited edition of 48 lithographs, La Revolución va a Ser Femenina is hand-signed and numbered by the artist on Arches paper, exemplifying Dzama's use of limited edition prints as a medium for extending his narrative-driven practice into collectible artworks that engage with power, ideology, and myth.

Marcel Dzama is a Canadian contemporary artist known for his distinctive visual language, populated by whimsical yet unsettling figures set within sparse, dreamlike environments. Born in 1974 in Winnipeg, Canada, Dzama developed a style marked by a restrained color palette of browns, greens, reds, and muted blues, lending his work a timeless, almost archaic quality. His imagery draws on a wide range of influences, including Dada and Surrealism, early modernist illustration, folk traditions, and political symbolism.

While Dzama first gained recognition for his drawings, his practice spans painting, sculpture, film, and printmaking. Narrative plays a central role across these media, with recurring motifs such as masked figures, animals, mythical beings, and ceremonial gestures used to explore themes of power, conflict, ritual, and identity. His works often balance humor and menace, allowing playful imagery to coexist with darker political and psychological undertones.

Printmaking occupies an important place within Dzama's oeuvre. His lithographs, etchings, and archival pigment prints translate the precision and intimacy of his drawings into carefully produced limited editions. These prints preserve his characteristic linework and narrative complexity while allowing for experimentation with scale, color, and composition. Dzama's prints function as independent artworks rather than reproductions, extending his storytelling into the format of editioned works.

Dzama's artworks are included in major international museum collections, including The Museum of Modern Art and Tate, situating his practice firmly within the contemporary canon while maintaining its idiosyncratic and personal character.