Ed Ruscha – Some Los Angeles Apartments

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Ed Ruscha (American, b.1937)

Some Los Angeles Apartments, 1965/1970

Medium: Artist’s book (black offset printing on 100 lb. white Vicksburg Vellum text paper)

Dimensions: 17.8 x 14 x 0.5 cm (7 x 5 1/2 x 3/16 in)

Edition size: 3000 (2nd edition)

Publisher: Ed Ruscha, Los Angeles

Printer: Anderson, Ritchie & Simon, Los Angeles

Catalogue raisonné: Foster 3; Engberg B3

Condition: Very good

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Ed Ruscha – Some Los Angeles Apartments

About this artwork

Ed Ruscha – Some Los Angeles Apartments

Ed Ruscha's Some Los Angeles Apartments (1965) is a seminal artist's book that exemplifies his radically matter-of-fact approach to photography and publishing. Composed of stark black-and-white images documenting ordinary apartment buildings across Los Angeles, the book treats the city's everyday architecture with deliberate neutrality and restraint.

Ruscha famously described his photographs as "a collection of facts" and his books as "a collection of readymades," underscoring his conceptual position that selection and presentation, rather than expression, generate meaning. In this context, Some Los Angeles Apartments functions less as a photographic project than as an object-based artwork, where repetition, sequencing, and banality become the content.

As one of Ed Ruscha's most influential early books, this fine art multiple helped redefine the artist's book as an autonomous art form and remains a cornerstone of conceptual art, directly shaped by Marcel Duchamp's notion of the readymade and Ruscha's enduring fascination with the overlooked language of the American urban landscape.

"The most renowned series of artist's books in the history of the genre, Ed Ruscha's works still retain their capacity to surprise, delight and puzzle in equal measure. In the several decades since they were published, they have been much exhibited, written about and analyzed, yet they somehow are still objects of mystery and fascination, beguiling in their utter simplicity and immutable rightness."
– Parr, M. & Badger, G., The Photobook: A History (Volume II), London: Phaidon, 2006, pp.140-1

Ed Ruscha – Mr. Ray

About Ed Ruscha

Ed Ruscha (American, born 1937 in Omaha, Nebraska) is one of the most influential figures in postwar and contemporary art, renowned for his pioneering use of language as both image and subject. Often associated with Pop Art and Conceptual Art, Ruscha works across painting, photography, limited edition prints, and artist's books, developing a distinctive visual language shaped by his background in graphic design. His text-based artworks transform words into pictorial forms, using typography, color, and layout to explore how meaning shifts between reading and seeing.

Throughout his career, Ruscha has challenged traditional painting and printmaking by incorporating unconventional materials such as gunpowder, chocolate syrup, and Pepto-Bismol, underscoring the instability and impermanence of language. His signed artworks frequently draw on everyday phrases and cultural clichés, revealing how language erodes, mutates, and accumulates meaning over time. This conceptual rigor has made his fine art prints and lithographs especially significant within contemporary art and highly sought after by collectors.

Ed Ruscha's paintings, works on paper and limited edition prints are held in major international museum collections and have been featured in landmark exhibitions at institutions including The Museum of Modern Art, New York, The National Gallery, London, Museum Brandhorst, Munich, and the Whitney Museum of American Art. Living and working in Los Angeles since 1956, Ruscha continues to shape contemporary visual culture, bridging fine art, language, and mass media through artworks that remain both intellectually sharp and visually iconic.

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