
Elaine Sturtevant - Duchamp Triptych
VAT not deductible (Margin Scheme).
Elaine Sturtevant (American, 1924-2014)
Duchamp Triptych, 1998
Medium: Two grano lithographs and one silkscreen, all on Rives rag paper
Dimensions: Each 50 x 40 cm (19.75 x 15.75 in)
Edition of 60: All hand-signed and numbered
Condition: Mint
Artwork details
Elaine Sturtevant’s Duchamp Triptych (1998) is a set of three prints - two grano lithographs and one silkscreen - on Rives rag paper, produced in an edition of 60. Each print is hand-signed and numbered by the artist. The triptych revisits Marcel Duchamp’s iconic motifs, including the Bicycle Wheel, Fountain, and optical spirals, reinterpreted through Sturtevant’s conceptual practice of repetition and appropriation. Known for her critical engagement with authorship and originality, Sturtevant transforms Duchamp’s radical gestures into new contemporary artworks.
About this artist
Elaine Sturtevant, an influential American artist, has made a lasting impact on the art world with her unique and provocative practice of appropriation and replication. Born in 1930, Sturtevant challenged traditional notions of originality and authorship, redefining the concept of art in the process. She gained recognition in the 1960s for her groundbreaking work that involved meticulously recreating artworks by other artists. Elaine Sturtevant would meticulously study and reproduce artworks by renowned figures such as Andy Warhol, Jasper Johns, and Roy Lichtenstein, often using the same techniques and materials employed by the original artists. By meticulously mimicking their artwork, Sturtevant engaged in a profound exploration of the artistic process, raising questions about authenticity, innovation, and the commodification of art. Through her process of appropriation and replication, Elaine Sturtevant challenged the notion of the unique artistic genius and the aura of the original artwork. Her meticulous recreations demonstrated her technical skill and attention to detail, highlighting the labor-intensive nature of artistic production. By appropriating the works of established artists, Sturtevant prompted viewers to question the value and significance placed on originality and the role of the artist in contemporary society. Elaine Sturtevant’s practice encompassed a range of mediums, including painting, limited editions, film, video, and performance. In these artworks, she continued her exploration of appropriation and imitation, deconstructing cultural icons, advertising imagery, and popular media. By recontextualizing these familiar images and narratives, Sturtevant challenged viewers to reconsider their assumptions and interpretations of mass culture.

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