




Robert Indiana – Banner
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Robert Indiana (American, b. 1928)
Banner, 1967
Medium: Silkscreen poster on paper
Dimensions: 106.8 x 65.7 cm
Edition size: Unknown
Publisher: Galerie der Spiegel, Cologne
Printer: Poldi Domberger Bonlanden, Germany
Condition: Very good
Artwork details
Robert Indiana’s Banner (1967) is an original silkscreen exhibition poster created for the landmark show American Graphics, held at Galerie der Spiegel in Cologne from March to April 1967. Printed as an avant la lettre example, this version was issued without exhibition typography, emphasizing Indiana’s bold geometric composition in its pure form.
The design features a circular field of interlocking stars and angular motifs set against vertical red and blue stripes, combining hard-edge abstraction with the graphic clarity that defines Indiana’s Pop Art practice. The strong contrasts of color and symmetry reflect his ongoing exploration of American identity, signage, and emblematic form during the 1960s.
The exhibition brought together key figures of American Pop and Op Art, including Josef Albers, Richard Anuszkiewicz, Allan D’Arcangelo, George Brecht, Jim Dine, Robert Indiana, Nicolas Krushenick, Richard Lindner, Marisol, Robert Rauschenberg, James Rosenquist, Bob Stanley, Andy Warhol, John Wesley, and Tom Wesselmann. Printed by Poldi Domberger in Bonlanden and published by Galerie der Spiegel, this large-format silkscreen poster stands as an important historical document of the international reception of American Pop Art.
About this artist
Robert Indiana (1928–2018) was a leading figure of American Pop Art, widely recognized for his bold, text-based compositions and graphic visual language. Drawing on early 20th-century Modernism as well as American vernacular culture, Indiana explored themes of national identity, language, and personal history through striking combinations of letters, numbers, and saturated color. He described himself as an "American painter of signs," emphasizing his engagement with typography, road signage, and commercial design.
Indiana's paintings, sculptures, and limited edition prints frequently center on short words and numerical sequences, transforming simple forms into layered reflections on American ideals. His work responds to the political and social tensions of the 1960s, including civil rights struggles and the Vietnam War, embedding cultural critique within a highly distilled visual structure.
His most iconic motif, LOVE, first conceived in the mid-1960s, became one of the most recognizable images of the 20th century. With its stacked letters and tilted "O," the composition encapsulates Indiana's ability to merge graphic clarity with complex commentary on aspiration, faith, and the American dream. Across his broader oeuvre, Robert Indiana consistently used repetition, symmetry, and bold color contrasts to create artworks and limited edition prints that remain central to the history of contemporary American art.

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