



JR – Olho, Estadio de Pacaembu
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JR (French, b. 1983)
Olho, Estadio de Pacaembu, Sao Paulo, 2020, 2021
Medium: Lithograph on wove paper
Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in)
Edition of 250: Hand-signed and numbered in pencil
Condition: Mint
Artwork details
JR's Olho, Estadio de Pacaembu, São Paulo (2020/2021) is a signed limited edition lithograph documenting a large-scale public installation created to mark the 80th anniversary of the historic Pacaembu Stadium in São Paulo. The fine art print records the transformation of the Tobogã tribune into a monumental image of a human eye, assembled from 1,480 strips of paper and based on the gaze of a young resident from an underprivileged Brazilian community. By embedding this watchful eye into a landmark of mass culture and sport, JR connects architecture, photography, and social portraiture, emphasizing visibility, presence, and collective spectatorship.
Published in 2020 as a limited edition lithograph, Olho, Estadio de Pacaembu, São Paulo is hand-signed and numbered by the artist, extending JR's socially engaged practice into a collectible format while preserving the scale and conceptual intent of the original intervention.
About this artist
JR (French, b. 1983) is an internationally recognized contemporary artist known for his large-scale photographic works, public interventions, and limited edition prints. Emerging from the Paris street art scene in the early 2000s, JR has developed a distinctive practice that merges photography, urban art, and social engagement. His work is widely associated with the evolution of street art into the institutional art world, alongside figures such as Banksy, Invader, and Shepard Fairey.
JR’s artworks are characterized by monumental black-and-white photographic images that are installed directly within public and natural environments. These interventions are rigorously composed and documented, forming the basis for signed lithographs, fine art prints, and editioned artworks that translate his public projects into collectible formats. His limited edition prints retain the conceptual and visual impact of the original installations while offering collectors access to his practice through museum-quality production.
Central to JR’s work is the use of photography as a tool for visibility and dialogue. By enlarging portraits and integrating them into their surrounding landscapes, he challenges traditional distinctions between subject and setting, image and architecture. This approach extends seamlessly into his printmaking, where scale, perspective, and illusion remain central concerns.
JR’s signed prints and artworks are held in major institutional collections including The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Brooklyn Museum; Château La Coste, Aix-en-Provence; and Musée de l’Elysée, Lausanne. His fine art prints are valued for their conceptual rigor, strong visual presence, and direct connection to landmark public projects, positioning them as important examples of contemporary photographic and urban art editions.

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