Yinka Shonibare - Aristocrat in Blue


Yinka Shonibare CBE, (b. 1962)

Aristocrat in Blue, 2020

Materials: Lithograph with collage (fabric, newspaper, paper)

Dimensions: 76 x 49.5 cm

Edition of 40: Stamp signed and numbered

Condition: Mint

This artwork ships worldwide.
Yinka Shonibare - Aristocrat in Blue

About this artwork

Yinka Shonibare - Aristocrat in Blue

This limited edition artwork featuring the female 'Aristocrat in Blue' is part of Yinka Shonibare's acclaimed contemporary art series that playfully deconstructs icons of 'Western Power' by de-westernising them through masking their faces with African masks. The stamp-signed artwork combines lithograph on wove paper with fabric and newspaper collage elements, challenging historical narratives of privilege and colonialism and creating a powerful visual dialogue between European aristocracy and African cultural heritage. Through this artistic intervention, Shonibare invites collectors of contemporary prints to reconsider the origins of wealth and power in the 18th century.

I like to play with the idea of parodying excessive lifestyles, such as those who lived privileged lives in the 18th century – in particular the opulence of the Ancient Regime in France. These lifestyles were enabled by colonisation and the slave trade, and by making visual connections between the origins of their wealth, I like to explore the power relations between both worlds. I have drawn Dogon-style animal masks from Mali, West Africa, to cover the faces of the aristocrats and incorporated actual 'Dutch wax' batik pattern to create a 21st-century cultural hybrid. - Yinka Shonibare CBE, The Hepworth Wakefield, UK

Yinka Shonibare - Dreamscape

About Yinka Shonibare

Yinka Shonibare (born 1962, London) is a celebrated British-Nigerian contemporary artist whose multifaceted practice spans painting, sculpture, photography, film, printmaking, and installation. He is particularly renowned for his use of brightly colored batik fabric in elaborate costumed dioramas that interrogate cultural identity, colonialism, and authenticity.

The fabric itself carries layered histories: originally inspired by Indonesian designs, it was mass-produced by the Dutch and exported to West Africa, where it became embraced in the 1960s as a symbol of independence and identity despite its colonial origins. By incorporating this material into his work, Shonibare constructs narratives that blur geographic and historical boundaries, raising powerful questions about culture, nationalism, and the legacy of colonialism in a globalized world.

Shonibare’s artwork frequently features intricate collages and figurative tableaux that combine humor, theatricality, and critical commentary. His limited edition prints extend these themes, translating his richly layered visual language into accessible and collectible works that retain the vibrant aesthetic and conceptual depth of his installations.

Due to a physical disability that paralyzes one side of his body, Shonibare works with a team of assistants to realize his vision, making collaboration a central part of his studio practice. This dynamic further enriches his exploration of authorship, identity, and artistic production.

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