Thomas Struth - Daintree

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Thomas Struth (German, b. 1954)

Daintree (from Paradies), 2004

Medium: Pigmented inkjet print

Dimensions: 32.9 x 48.3 cm (13 x 19 in)

Edition size: undisclosed

Markings: Hand-signed and stamped, verso

Condition: Very good

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Thomas Struth - Daintree

About this artwork

Thomas Struth - Daintree

Thomas Struth's Daintree from the Paradies series is a striking black-and-white photograph that captures the dense, ancient rainforest of Australia's Daintree with remarkable sharpness and depth. The monochromatic palette emphasizes the intricate textures and patterns of the foliage, drawing attention to the interplay of light and shadow within the dense, untamed landscape.

This hand-signed limited edition archival pigment print's masterful composition transforms the natural scene into a timeless, almost abstract study of form and complexity. Shot in 2004 as part of Struth's exploration of lush, unspoiled landscapes across the globe, each photograph in the series—devoid of human presence—invites contemplation on the natural world's untouched beauty and the role of humanity within it. 

The high-contrast photograph embodies Struth's nuanced documentary style, developed under the influential Bernd and Hilla Becher at Kunstakademie Düsseldorf. Through these serene and meticulously composed images, he examines themes of paradise and untouched nature, providing a stark contrast to the cultural settings of his renowned museum series. Each authenticated print is hand-signed and stamped on the verso, preserving this meditation on the profound beauty and mystery of the natural world.

Thomas Struth - Juquehy

About Thomas Struth

Thomas Struth, a distinguished German photographer, is celebrated for his profound exploration of perception, observation, and the environments we inhabit. Trained at the Kunstakademie Düsseldorf under Bernd and Hilla Becher, Struth developed a precise documentary style that merges conceptual rigor with visual clarity. His artworks investigate how people interact with their surroundings, whether in cultural institutions, urban landscapes, or untouched natural settings.

Among his most recognized series are the museum photographs, which capture visitors engaging with masterpieces in institutions such as the Louvre, the Prado, and the National Gallery in London. These works not only document spectatorship but also examine the act of looking itself, positioning viewers as both subject and participant. In contrast, Struth’s Paradies series shifts to the natural world, presenting dense, unspoiled landscapes that exclude human presence. These large-scale photographs evoke awe and contemplation, highlighting the fragility and magnificence of untouched ecosystems.

Since the early 1990s, Struth has expanded his practice to include cityscapes, portraits, architectural studies, and highly detailed depictions of nature, consistently questioning the relationship between humanity, culture, and environment. His limited edition photographic prints embody the same contemplative depth as his large-format works, offering collectors access to his investigations of contemporary life and the worlds we create and inherit.

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