Sigmar Polke – S. schmeckt Pfirsich von H.

Sale price€4.900,00

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Sigmar Polke (German, 1941-2010)

S. schmeckt Pfirsich von H. (S. Tastes Peach by H.), 1996

Medium: Grano-lithograph in colours with embossing, on Bütten board

Dimensions: 59.1 × 77.1 cm (23 3/10 × 30 2/5 in)

Edition of 60: Hand signed, dated and numbered in pencil (one of 10 impressions in Roman numerals aside from the edition of 60)

Publishers: Edition Schellmann (Munich, New York) and Verlag Gruner + Jahr AG (Hamburg) for Capital Magazine, Cologne

Catalogue raisonné: Jürgen Becker and Claus von der Osten 121

Condition: Excellent

This artwork ships worldwide.

About this artwork

Sigmar Polke – S. schmeckt Pfirsich von H.

Sigmar Polke's S. schmeckt Pfirsich von H. is a playful and enigmatic lithograph with embossing that blends figurative elements with abstract patterns, characteristic of Polke's experimental approach to contemporary printmaking. This hand-signed limited edition print features fragmented imagery and layered textures, creating a sense of ambiguity and intrigue as viewers interpret the relationship between the figures and the evocative title.

Polke's use of vibrant color, unconventional printing techniques, and tactile embossing invites collectors to explore themes of perception, desire, and the fluidity of meaning in both art and life. This signed artwork exemplifies the artist's mastery of Pop Art aesthetics combined with conceptual depth, making it a highly collectible example of German contemporary art from one of the most influential postwar artists.

Why collectors choose this artwork: Hand-signed and numbered by Sigmar Polke, museum-quality lithograph with embossing, vibrant pop art imagery, and a significant example of experimental printmaking that bridges figurative art and abstract expression.

Sigmar Polke – Dr Pabscht het z'Schpiez...

About Sigmar Polke

Sigmar Polke (1941–2010) was a defining force in contemporary art, renowned for his radical experimentation, conceptual wit, and relentless material innovation. Working across painting, photography, and printmaking, Polke treated his studio as a laboratory, combining chemical processes, unconventional materials, and layered imagery to expand the possibilities of both artwork and print. His paintings and limited edition prints remain highly influential and are widely sought after in the international contemporary art market.

In the early 1960s, Polke co-founded Capitalist Realism with Gerhard Richter and Konrad Lueg, developing a sharp critique of consumer culture and postwar German society. Drawing on advertising, newspapers, and popular imagery, his artworks blurred the boundaries between high art and mass production. His signature raster-dot technique, inspired by mechanical printing processes, translated enlarged media images into paintings and art editions that questioned authorship, reproduction, and authenticity.

Throughout his career, Sigmar Polke continually reinvented his artistic language, producing complex artworks that combine irony, political commentary, and painterly experimentation. He participated in major international exhibitions, including documenta and the Venice Biennale, where he received the Golden Lion in 1986. Major retrospectives at institutions such as the Museum of Modern Art, Tate Modern, and Museum Ludwig confirm Polke’s lasting importance. Today, his artworks and prints hold a central position in museum collections and among collectors of museum-quality contemporary art editions.

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