Sigmar Polke - S. schmeckt Pfirsich von H.

Sale price€4.900,00

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Sigmar Polke (German, 1941-2010)

S. schmeckt Pfirsich von H. (S. Tastes Peach by H.), 1996

Medium: Grano-lithograph in colours with embossing, on Bütten board

Dimensions: 59.1 × 77.1 cm (23 3/10 × 30 2/5 in)

Edition of 60: Hand signed, dated and numbered in pencil (one of 10 impressions in Roman numerals aside from the edition of 60)

Publishers: Edition Schellmann (Munich, New York) and Verlag Gruner + Jahr AG (Hamburg) for Capital Magazine, Cologne

Catalogue raisonné: Jürgen Becker and Claus von der Osten 121

Condition: Excellent

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About this artwork

Sigmar Polke - S. schmeckt Pfirsich von H.

Sigmar Polke's S. schmeckt Pfirsich von H. is a playful and enigmatic lithograph with embossing that blends figurative elements with abstract patterns, characteristic of Polke's experimental approach to contemporary printmaking. This hand-signed limited edition print features fragmented imagery and layered textures, creating a sense of ambiguity and intrigue as viewers interpret the relationship between the figures and the evocative title.

Polke's use of vibrant color, unconventional printing techniques, and tactile embossing invites collectors to explore themes of perception, desire, and the fluidity of meaning in both art and life. This signed artwork exemplifies the artist's mastery of Pop Art aesthetics combined with conceptual depth, making it a highly collectible example of German contemporary art from one of the most influential postwar artists.

Why collectors choose this artwork: Hand-signed and numbered by Sigmar Polke, museum-quality lithograph with embossing, vibrant pop art imagery, and a significant example of experimental printmaking that bridges figurative art and abstract expression.

Sigmar Polke, Dr Pabscht het z'Schpiez...

About Sigmar Polke

Sigmar Polke (1941, 2010) was a defining force in contemporary art, celebrated for his radical experimentation, intellectual wit, and material innovation. Often described as an alchemist, Polke worked fluidly across painting, photography, and printmaking, treating his studio like a laboratory. Through chemical processes, unconventional materials, and layered imagery, he expanded the boundaries of painting and print, producing artworks that remain highly influential and sought after by collectors of contemporary art and limited edition prints.

In the 1960s, Polke co-founded Capitalist Realism alongside Gerhard Richter and Konrad Lueg, using irony and mass media imagery to critique consumer culture and postwar German society. His works frequently incorporate everyday motifs, advertising visuals, and offset printing techniques, sometimes painted on wallpaper or fabric. Polke’s signature raster or grid method translated enlarged newspaper and magazine images onto canvas, blurring distinctions between high art, popular culture, and mechanical reproduction in both paintings and art editions.

Polke’s impact on postmodern art continues through his innovative approach to material, image, and meaning. He exhibited internationally at documenta, the Bienal de São Paulo, and the Venice Biennale, where he received the Golden Lion in 1986. Major retrospectives were held at institutions such as the Museum of Modern Art, Tate Modern, and Museum Ludwig, confirming Sigmar Polke’s lasting relevance within contemporary art history and the market for museum-quality artworks and editions.

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