Shirin Neshat – Tooba

Sale price€5.900,00

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Shirin Neshat (Iranian, b. 1957)

Untitled (Tooba), 2002

Medium: C-print in mat, sandwiched between plexi sheets, in artist’s frame (aluminum)

Dimensions: 61 x 66 cm (24 x 26 in)

Edition of 35 + 10 AP: Hand-signed, numbered, titled and dated

Condition: Excellent

This artwork ships worldwide.

About this artwork

Shirin Neshat – Tooba

Shirin Neshat's Tooba is a striking c-print from her celebrated Tooba Series (2002), inspired by the novel Women without Men by Iranian writer Shahrnoush Parsipour. This signed photography edition features a group of figures standing around a large, sacred tree symbolizing the feminine tree of paradise from the Koran, a powerful motif in contemporary political art exploring themes of refuge, transcendence, and women's struggles in conservative societies.

Filmed in color near Oaxaca, Mexico, Neshat's poetic allegory blends magic realism with minimalist elegance, creating a limited edition artwork that bridges documentary photography and symbolic narrative. The tree becomes a source of strength and sanctuary, rendered with the visual precision and conceptual depth that defines Neshat's internationally acclaimed practice as one of the most important contemporary artists addressing gender, identity, and cultural displacement.

Why collectors choose this work: Hand-signed photography by Shirin Neshat, museum-quality c-print, iconic imagery from the Tooba Series, and a significant example of contemporary political art that combines feminist themes with poetic visual storytelling.

About Shirin Neshat

Shirin Neshat (born 1957, Iran) is a seminal figure in contemporary art, internationally acclaimed for her photography, film, and multimedia artworks exploring identity, gender, power, and cultural displacement. Living in exile since 1975, Neshat draws on personal and political histories to examine the tensions between tradition, authority, and individual freedom. Her works have become central to discussions of contemporary art from the Middle East and the global diaspora.

Neshat first gained international recognition with her photographic series Women of Allah (1993–1997), a body of black-and-white photographs portraying veiled women inscribed with Persian calligraphy. These powerful artworks confront themes of femininity, Islam, martyrdom, and resistance, while challenging Western perceptions of Muslim women. By appropriating calligraphy, historically dominated by male artists in Islamic culture, Neshat subverts established gender hierarchies and reclaims visual and political agency.

Working across large-scale photography, video installations, and film, Neshat creates emotionally charged works that combine aesthetic precision with political urgency. Her acclaimed feature film Women Without Men (2009) further expanded her practice, offering a poetic yet critical reflection on female subjectivity during a pivotal moment in Iranian history.

Neshat's photographic prints and limited edition artworks are held in major museum collections worldwide and are highly sought after by collectors of contemporary art. Her prints continue to resonate through their uncompromising engagement with exile, censorship, and resistance, securing her position as one of the most influential artists of her generation.

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