Shirin Neshat – Tooba

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Shirin Neshat (Iranian, b. 1957)

Untitled (Tooba), 2002

Medium: C-print in mat, sandwiched between plexi sheets, in artist’s frame (aluminum)

Dimensions: 61 x 66 cm (24 x 26 in)

Edition of 35 + 10 AP: Hand-signed, numbered, titled and dated

Condition: Excellent

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About this artwork

Shirin Neshat – Tooba

Shirin Neshat's Untitled (Tooba) is a signed c-print from her celebrated Tooba Series (2002), a still from the artist's two-channel video installation of the same name. The limited edition artwork was made in direct response to 9/11 as a meditation on displacement, sanctuary, and the universal need for refuge — and draws on the novel Women without Men by Iranian writer Shahrnush Parsipur, who wrote it while a political prisoner in Iran.

At the centre of the composition stands the sacred Tooba tree, a figure from Sufi and Quranic tradition symbolising shelter and blessedness — a canopy extending to protect all who seek it. Shirin Neshat filmed the work near Oaxaca, Mexico, deliberately chosen as neutral ground, neither Islamic nor Western, after being blocked from filming in her homeland. The result is an image that transcends its specific cultural origins: a universal allegory of exile, longing, and the search for sanctuary that speaks as urgently today as when it was made.

One of the most important female artists working today, Neshat has spent her career at the intersection of political art and poetic visual storytelling — addressing gender, identity, and cultural displacement with a precision and depth that has earned her international acclaim. Her work is held in the permanent collections of MoMA, the Metropolitan Museum of Art, the Tate, and the Walker Art Center, among others. Untitled (Tooba) is presented as a c-print in mat, sandwiched between plexi sheets, in the artist's aluminium frame — hand-signed, numbered, and issued in an edition of 35 plus 10 artist's proofs.

About Shirin Neshat

Shirin Neshat (born 1957, Iran) is a seminal figure in contemporary art, internationally acclaimed for her photography, film, and multimedia artworks exploring identity, gender, power, and cultural displacement. Living in exile since 1975, Neshat draws on personal and political histories to examine the tensions between tradition, authority, and individual freedom. Her works have become central to discussions of contemporary art from the Middle East and the global diaspora.

Neshat first gained international recognition with her photographic series Women of Allah (1993–1997), a body of black-and-white photographs portraying veiled women inscribed with Persian calligraphy. These powerful artworks confront themes of femininity, Islam, martyrdom, and resistance, while challenging Western perceptions of Muslim women. By appropriating calligraphy, historically dominated by male artists in Islamic culture, Neshat subverts established gender hierarchies and reclaims visual and political agency.

Working across large-scale photography, video installations, and film, Neshat creates emotionally charged works that combine aesthetic precision with political urgency. Her acclaimed feature film Women Without Men (2009) further expanded her practice, offering a poetic yet critical reflection on female subjectivity during a pivotal moment in Iranian history.

Neshat's photographic prints and limited edition artworks are held in major museum collections worldwide and are highly sought after by collectors of contemporary art. Her prints continue to resonate through their uncompromising engagement with exile, censorship, and resistance, securing her position as one of the most influential artists of her generation.

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