Rupprecht Geiger - Gelb auf Weiß (Hommage à Fontana)

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Rupprecht Geiger (German, 1908-2009)

Gelb auf Weiß (Hommage à Fontana), 1974

Medium: Screenprint on card

Sheet dimensions: 70 x 50 cm
Frame dimensions: 71.8 x 51.8 cm

Edition of 150: Hand-signed and numbered in pencil on verso

Publisher: Edition Merian, Krefeld

Catalogue raisonné: WVG 155

Condition: Very good, with greyish finger prints (barely of note)

This artwork ships worldwide.

About this artwork

Rupprecht Geiger - Gelb auf Weiß (Hommage à Fontana)

Rupprecht Geiger's Gelb auf Weiß (Hommage à Fontana) from 1974 is an abstract screenprint that exemplifies the artist's radical exploration of color as an autonomous force. Created in an edition of 150 and hand-signed and numbered in pencil, this fine art print was originally planned for the unrealized ZERO portfolio Hommage à Fontana, honoring Lucio Fontana - a major influence on both the ZERO movement and Arte Povera.

As a founding figure of postwar German abstraction, Geiger developed a distinctive visual language centered on pure chromatic intensity. This limited edition print demonstrates his commitment to color as spiritual and perceptual experience, with vibrant yellow forms against white ground creating optical resonance. Published by Edition Merian, this abstract print remains a sought-after example of 1970s abstract art and contemporary printmaking.

Rupprecht Geiger - Zurückgehen, Weitergehen, Fortgehen

About Rupprecht Geiger

Rupprecht Geiger (German, 1908–2009) was a leading figure in postwar abstract and color field painting, celebrated for his radical use of pure, luminous color and precise geometric forms. The son of artist Willi Geiger, he developed a multidisciplinary practice spanning painting, sculpture, architecture, and printmaking. His work is especially recognized for its intense chromatic presence, with red as a recurring central motif, conveying energy, vitality, and emotional force within non-objective art.

In 1949, Geiger co-founded the influential Munich-based group Zen 49 together with Willi Baumeister and Fritz Winter, shaping the development of abstract art in Germany after World War II. By the early 1960s, Rupprecht Geiger dedicated himself entirely to painting and printmaking, using color as an autonomous subject rather than a descriptive tool. His screenprints and editions expanded his exploration of color dynamics and spatial perception beyond the canvas.

Geiger achieved international recognition through his participation in documenta 2, 3, 4, and 6, and through exhibitions at major institutions including the Museum for Non-Objective Painting, later the Solomon R. Guggenheim Museum. He also served as a professor at the Kunstakademie Düsseldorf. Major retrospectives of his work were held at the Neue Nationalgalerie in Berlin, Lenbachhaus Munich, and the Akademie der Künste Berlin, firmly establishing his legacy within contemporary abstract art and color-focused minimalism.

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