Marlene Dumas – Amy - Back to


Marlene Dumas (South African, b. 1953)

Amy - Back to, 2015

Medium: Lithograph in colors, on wove paper

Dimensions: 41 x 46.4 cm (16 1/8 x 18 1/4 in)

Edition of 100: Hand-signed, titled, dated, numbered, and inscribed 'the man said 'why do you think you here,' I said ' I got no idea' in pencil

Publishers: Bernard Ruijgrok, Amsterdam (with their blindstamp), and Fondation Beyeler, Basel

Condition: Excellent (sold in white wooden frame)

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Marlene Dumas – Amy - Back to

About this artwork

Marlene Dumas – Amy - Back to

Amy – Back to (2015) by Marlene Dumas is a lithograph on wove paper, published by Bernard Ruijgrok, Amsterdam, and Fondation Beyeler, Basel, in an edition of 100. Dumas has signed, titled, dated and numbered each sheet by hand in pencil. She has also written a line of text below the image, and the print carries the Ruijgrok blindstamp. It is sold in a white wooden frame.

A face fills the right side of the sheet, with the eyes lowered and the mouth closed. Salmon-pink wash is laid over the head, and loose black brushwork marks the brows, eyes, nose and jaw. The left two thirds of the paper are left blank, so the pencil inscription sits alone in the lower left corner.

The title and the inscription refer to Amy Winehouse. The inscription is a line from her song "Rehab": "the man said 'why do you think you here', I said 'I got no idea'". Marlene Dumas painted Winehouse after her death in 2011, in the oil portrait Amy-Blue, which the National Portrait Gallery in London acquired. She works from photographs taken from newspapers, magazines and the internet, which lets her examine a culture dominated by images. The Fondation Beyeler in Basel showed her retrospective "The Image as Burden" in 2015. Her artworks appear in our selection of women artists.

Marlene Dumas – Faceless

About Marlene Dumas

Marlene Dumas (b. 1953, Cape Town) lives and works in Amsterdam, where she has been based since moving to the Netherlands in 1976. She is one of the leading figurative painters of her generation. For almost five decades her work has dealt with sexuality, love, death, shame, political violence, identity and gender. She paints almost entirely from photographs rather than from life, drawing on newspapers, magazines, the internet and her own snapshots of friends, family and public figures. Among her best-known subjects are Naomi Campbell and Amy Winehouse.

Dumas builds her figures from thin, translucent washes of oil and from loose, gestural brushwork. Faces often seem to dissolve into the paper or canvas, and the identity of the sitter stays uncertain. She is less interested in an accurate likeness than in the psychological state of the person portrayed. She has described painting as holding "the pleasure of what it could mean and the pain of what it's not". Drawing and works on paper have always been central to her practice, and her prints, lithographs and editions follow the same approach and themes.

Her work has been shown at three major international exhibitions. In 1995 she took part in the Dutch Pavilion at the Venice Biennale, alongside Maria Roosen and Marijke van Warmerdam. Measuring Your Own Grave, her first large American survey, was shown in 2008 and 2009 at MOCA in Los Angeles, the Museum of Modern Art in New York and the Menil Collection in Houston. The retrospective The Image as Burden was presented at the Stedelijk Museum in Amsterdam in 2014 and 2015, then at Tate Modern in London and the Fondation Beyeler in Basel. Her awards include the Rolf Schock Prize in the Visual Arts (2011) and the Johannes Vermeer Award (2012).

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