Joseph Beuys – Order

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Joseph Beuys (German, 1921-1986)

Order, 1973

Medium: Order card, stamped

Dimensions: 15 x 10.5 cm

Edition of 120: Hand-signed and numbered

Catalogue raisonné: Schellmann 78

Condition: Excellent (sold framed)

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Joseph Beuys – Order

About this artwork

Joseph Beuys – Order

Order (1973) by Joseph Beuys is a stamped order card (Bestellkarte) printed as an offset on red card, conceived as a functional multiple that collapses paperwork, distribution, and authorship into a single object. The limited edition print mimics an everyday “order” form, then is activated by Beuys’ rubber stamp and handwriting, turning administrative language into a compact conceptual gesture.  

Often associated with Beuys’ use of multiples as vehicles for communication, Order treats the format of commerce and bureaucracy as a site of meaning, where a simple card becomes both artwork and instrument of circulation.  

Issued in 1973 in an edition of 120, Order is hand-signed and numbered by the artist. The fine art print measures 14.8 x 10.5 cm and is catalogued as Schellmann 78. 

About Joseph Beuys

Joseph Beuys is widely regarded as one of the most influential artists of the postwar period, known for a radical practice that reshaped the definition of art itself. Rooted in social philosophy, humanism, and anthroposophy, Beuys understood art as a transformative force capable of shaping society. His work consistently challenged conventional boundaries, positioning creativity not as a specialized discipline but as a universal human capacity.

Beuys worked across an expansive range of media, including Fluxus actions, performances, happenings, sculptures, installations, drawings, and editions. Central to his practice was the production of prints and multiples, which he viewed as essential tools for democratizing art and extending its reach beyond museums and galleries. These limited edition works, often incorporating symbolic materials such as felt and animal fat, enabled Beuys to disseminate his ideas widely and reinforce his belief that “everyone is an artist.” Through editions, his artistic and philosophical concepts became accessible, participatory, and socially engaged.

Beuys’ visionary approach blurred the boundaries between art, politics, and everyday life, laying the groundwork for later forms of socially engaged and conceptual art. A landmark retrospective at the Solomon R. Guggenheim Museum in 1979 cemented his international reputation. Since his death in 1986, his work has been exhibited at major institutions worldwide, including the Centre Pompidou, Tate Modern, Museo Reina Sofia, Hamburger Bahnhof, and the National Gallery of Victoria, underscoring his enduring relevance within contemporary art history.

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