Jenny Holzer - Top Secret 32

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Jenny Holzer (American, b. 1950)

Top Secret 32, 2012

Medium: Black pulp on white handmade paper, stenciled

Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in)

Edition: From the series “Water Boarding”. Edition size undisclosed.

Signature: Hand-signed on the reverse

Publisher: Griffelkunst, Hamburg

Condition: Very good

This artwork ships worldwide.

About this artwork

Jenny Holzer - Top Secret 32

Jenny Holzer's Top Secret 32 (2012) belongs to her Water Boarding series, which confronts state violence and secrecy through declassified US military and CIA documents. Using handmade paper formed from black pulp, Holzer obscures most of the text, leaving only fragments such as the "Top Secret" designation visible, transforming bureaucratic language into stark abstraction. This signed edition merges material process and political critique, underscoring water's symbolic role in both the medium and the subject of torture.

As a leading figure in text-based art and political art, Jenny Holzer uses language as a medium to expose institutional power and human rights violations. This limited edition print exemplifies her practice of making classified government documents into powerful works of contemporary art. 

About Jenny Holzer

Jenny Holzer (born 1950, Gallipolis, Ohio) is a leading figure in contemporary art, best known for her text-based artworks that merge public art, political critique, and activism. Using media such as LED displays, projections, prints, and paintings, Holzer examines how language shapes power, perception, and control. Influenced by the persuasive force of advertising, she places provocative statements directly into public space, blending seamlessly into urban environments while challenging viewers to pause and reflect.

Central to Jenny Holzer’s practice are her public installations, which occupy architectural and commercial settings with concise, confrontational phrases addressing themes of authority, consumerism, and vulnerability. Iconic works such as Protect Me From What I Want and Abuse of Power Comes as No Surprise distill complex social and political ideas into accessible language, encouraging broad public engagement beyond the traditional art world.

Alongside these installations, Holzer’s prints and paintings extend her investigation into the visible and hidden power of words. Her work has been widely recognized, including the Golden Lion at the Venice Biennale in 1990, and exhibited internationally at major institutions such as the Guggenheim, Whitney Museum of American Art, Tate, and the Barbican Centre.

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