Günther Uecker - Lichtungen V

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Günther Uecker (German, born 1930)

Lichtungen V, 1997/1998

Medium: Woodcut on wove paper

Dimensions: 62.5 x 51.5 cm

Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil

Publisher: Erker-Presse, St. Gallen (with their dry-stamp)

Condition: Excellent

This artwork ships worldwide.

About this artwork

Günther Uecker - Lichtungen V

Günther Uecker’s Lichtungen V (1997/1998) is part of a series of black-and-white woodcuts that reflect his deep engagement with texture, light, and the meditative qualities of art. Each signed print features abstract, rhythmic patterns created by carved lines and forms, evoking a sense of movement and interplay between shadow and illumination. With their raw, tactile surfaces and contemplative aesthetic, the abstract prints showcase Uecker's mastery of combining the methodical with the spontaneous.

Günther Uecker - Prägedruck (from Nagelbuch)

About Günther Uecker

Günther Uecker, a distinguished German sculptor, painter, printmaker and op artist, is renowned for his innovative use of nails as a primary medium. Born in 1930 in Wendorf, he developed a signature technique of meticulously hammering nails into various substrates, a process he considers a meditative ritual influenced by Eastern philosophies. Through this approach, Uecker transforms everyday objects such as furniture, musical instruments and household items into tactile artworks that push beyond the limits of two-dimensional art toward sculptural and graphical explorations of form and shadow.

As a founding member of the ZERO group, alongside Heinz Mack and Otto Piene, Uecker helped shape a new direction for post-war art in Europe. The movement emerged as a counter-response to the emotionally charged German Art Informel, promoting a clean slate for artistic creation with unconventional materials and techniques. ZERO’s focus on purity, light and kinetic energy became central to Uecker’s own philosophy. His works often rely on the interplay of light and shadow, with strategic lighting creating shifting patterns that heighten the viewer’s perception. His often-cited call to “assert yourself first” reflects his belief in artistic independence and innovation.

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