Chris Ofili – Untitled (from Stütz-Mappe)

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Chris Ofili (British, b. 1968)

Untitled (from Stütz-Mappe), 1995

Medium: Etching on wove paper

Dimensions: 40.8 x 49.5 cm (16 x 19 1/2 in)

Edition of 50: Hand-signed and numbered in pencil verso

Publisher: Contemporary Fine Arts, Berlin and Niels Borg Jensen, Copenhagen

Condition: Very good

This artwork ships worldwide.
Chris Ofili – Untitled (from Stütz-Mappe)

About this artwork

Chris Ofili – Untitled (from Stütz-Mappe)

Chris Ofili’s Untitled (from Stütz-Mappe), 1995, is an intricate etching composed of densely layered, rhythmic marks that draw the viewer into a meditative field of texture and motion.

The delicate web of lines reveals Ofili’s mastery of detail and abstraction, balancing control and spontaneity. Published by Contemporary Fine Arts, Berlin, and Niels Borg Jensen, Copenhagen, this rare early abstract work reflects the artist’s experimentation with printmaking and surface pattern.

About Chris Ofili

Chris Ofili, a Nigerian British artist, emerged as a pivotal figure among the Young British Artists (YBAs) and gained notable recognition by winning the Turner Prize in 1998. As one of the few African/Caribbean artists in the YBAs, Ofili’s artwork creatively merges elements of high art and popular culture to explore the historical and cultural experiences of black individuals.

Known for his vibrant use of color and diverse textures, the painter often incorporates unconventional materials into his paintings, most famously elephant dung. This distinctive practice, which has stirred controversy, serves as both a literal and symbolic connection to the earth, grounding his artworks in natural elements. Chris Ofili’s approach involves affixing lumps of dung directly to the canvas, which he believes lends a relaxed, almost unburdened quality to the paintings, contrasting with the traditional, constrained presentation of artworks on walls. He explains that this method makes the paintings feel “more relaxed, instead of being pinned upon the wall like it’s being crucified.”

Beyond this unique material use, his signature works are intricate, layer upon layer of paint with added textures from collaged materials like glitter, magazine cut-outs, and resin, which add depth and complexity. Ofili’s artworks, including fine art prints and paintings, showcase his unique stylistic synthesis that blends figurative abstraction with thematic richness, reflecting a deep engagement with his cultural heritage and contemporary issues. His oeuvre continues to influence and shape the landscape of modern art, inviting viewers to reconsider the interplay of identity, culture, and materiality in art.

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