Tracey Emin – This is Forever

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Tracey Emin (British, born 1963)

This is Forever, 2024

Medium: Lithograph on wove paper

Dimensions: 80 x 68 cm (32 x 27 in)

Edition of 100: Hand-signed, numbered and dated

Condition: Mint

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Tracey Emin – This is Forever

About this artwork

Tracey Emin – This is Forever

Tracey Emin’s This is Forever (2024) is a signed lithograph on wove paper that combines a solitary female profile with urgent handwritten text in fluid blue ink. The drawn face, rendered in spare, expressive lines, is surrounded by confessional phrases that culminate in the repeated refrain “Why Can’t I Love,” reinforcing the work’s emotional intensity.

As in much of Emin’s practice, image and language are inseparable. The intimate scale and direct mark-making echo the immediacy of her drawings, while the repetition of text conveys vulnerability, longing, and unresolved desire. The text-based artwork balances fragility and insistence, positioning the figure within a field of personal reflection.

Published in an edition of 100 lithographs, each impression is hand-signed, numbered, and dated by the artist. Measuring 80 × 68 cm, this fine art print stands as a compelling example of Emin’s continued exploration of love, memory, and emotional exposure in print form.

About Tracey Emin

Tracey Emin (born 1963 in London) is a central figure of the Young British Artists who emerged in the early 1990s. Working across drawing, painting, printmaking, embroidery, neon, sculpture, film, and installation, Emin has built a practice rooted in autobiography, transforming personal experience into works of striking emotional immediacy.

Her art confronts themes of love, sexuality, loss, vulnerability, and freedom with uncompromising candor. By exposing intimate aspects of her own life, Emin collapses the boundary between private and public, inviting viewers into a direct and often uncomfortable emotional dialogue. Her 1999 Turner Prize-nominated installation My Bed, presenting her unmade bed surrounded by personal detritus, became a defining statement of this approach and a landmark of contemporary British art.

Alongside her installations, Emin’s paintings and limited edition prints distill this autobiographical intensity into more intimate formats. Characterized by expressive line, handwritten text, and raw figuration, these works retain the urgency of her larger projects while offering collectors direct access to her distinctive and deeply personal visual language.

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