Tracey Emin - I Just Felt Hurt

Sale price€7.800,00

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Tracey Emin (born 1963 in Croydon)

I Just Felt Hurt, 2024

Medium: Lithograph on wove paper

Dimensions: 80 x 68 cm (32 x 27 in)

Edition of 100: Hand-signed, numbered and dated

Condition: Mint

This artwork ships worldwide.
Tracey Emin - I Just Felt Hurt

About this artwork

Tracey Emin - I Just Felt Hurt

Tracey Emin's I Just Felt Hurt portrays a poignant female figure rendered in expressive blue hues against the stark backdrop of white wove paper. This hand-signed limited edition lithograph captures the raw, emotive quality that defines Emin's most powerful work—transforming personal vulnerability into universal resonance.

The print's minimalist composition and gestural lines reflect Emin's signature exploration of intimacy, emotional exposure, and the complexities of human feeling. Created in 2024, the work continues her decades-long practice of turning private pain into public art, inviting viewers into an unguarded moment of emotional truth. The expressive blue palette and spontaneous mark-making evoke both fragility and strength, embodying the tension between visibility and silence that characterizes much of her autobiographical practice.

Part of Emin's celebrated body of limited edition prints that make her confessional aesthetic accessible to collectors, each authenticated edition is hand-signed, numbered, and dated by the artist, preserving this intimate meditation on hurt, healing, and the courage of emotional honesty.

About Tracey Emin

Tracey Emin, born in 1963 in London, stands as a central figure among the Young British Artists (YBAs) who rose to prominence in the early 1990s. Emin’s diverse body of work spans across various forms of artistic expression, including printmaking, painting, drawing, embroidery, installation, neon, film, and sculpture. Her art is characterized by a deeply personal approach that transforms her intimate life experiences, memories, and emotions into artworks that resonate on a universal level.

Emin is renowned for her unflinchingly autobiographical work, which delves into profound themes such as love, sex, death, and freedom, often infused with a sense of brutal honesty and a touch of humor. This personal revelation in her artwork creates a powerful, emotional dialogue with viewers, making her one of the most influential voices in contemporary art. Among her most notable and controversial pieces is the installation My Bed, which features an unmade bed surrounded by personal debris like cigarette butts, condoms, and empty liquor bottles. Exhibited as part of her nomination for the Turner Prize in 1999, this piece epitomizes her style of turning the private into the public.

In addition to her installations, Emin’s paintings and prints further explore these autobiographical themes, often capturing the same raw emotional intensity. Her paintings, for instance, utilize bold brushstrokes and a vivid palette to express states of mind and feelings, while her prints often replicate these themes in a format that allows for broader dissemination and engagement.

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