Thomas Struth – Yosemite National Park

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Thomas Struth (German, b. 1954)

Yosemite National Park (from Paradies), 2004

Medium: Pigmented inkjet print

Dimensions: 48.3 × 32.9 cm (19 × 13 in)

Edition size: undisclosed

Markings: Hand-signed and stamped, verso

Condition: Excellent

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About this artwork

Thomas Struth – Yosemite National Park

Thomas Struth’s Yosemite National Park is a hand-signed limited edition pigment inkjet print on Hahnemühle PhotoRag paper, published by Griffelkunst in 2004 as part of the six-part Paradies portfolio. The edition size is undisclosed, and the sheet carries the Griffelkunst stamp.

The photograph shows a dense Californian forest, with dark trunks and shadowed conifers rising on every side. In the centre, one sunlit crown glows bright green against the blue sky. Fallen branches and patches of grass cover the forest floor at the lower right. There is no horizon, and the eye has no clear point of entry, so the picture reads as a closed wall of vegetation rather than a landscape view.

Yosemite National Park belongs to Struth’s Paradise photographs, in which he turned his camera on forests and jungles in several parts of the world. The pictures are works of contemporary photography that move away from his earlier city streets and family portraits. Struth studied in Düsseldorf under Bernd and Hilla Becher, and the same exact, even-handed attention to detail shows in his forest pictures. Further works by the artist are collected in our Thomas Struth collection, and related photographic editions can be found in contemporary photography.

Thomas Struth - James Simon Galerie

About Thomas Struth

Thomas Struth (born 1954, Geldern, Germany) is a distinguished photographer and a key figure of the Düsseldorf School, internationally recognized for his rigorous exploration of perception, observation, and the environments we inhabit. Trained at the Kunstakademie Düsseldorf under Bernd and Hilla Becher, Struth developed a precise documentary approach that combines conceptual discipline with exceptional visual clarity. His photographic artworks examine how individuals relate to cultural spaces, urban architecture, and the natural world.

Among his most celebrated bodies of work are the museum photographs, which depict visitors contemplating masterpieces in institutions such as the Louvre, the Prado, and the National Gallery. These large-scale photographs investigate spectatorship itself, turning the act of looking into the central subject. In contrast, Struth's Paradies series presents dense, untouched landscapes devoid of human presence. Each photograph becomes an immersive artwork that evokes both reverence and unease, underscoring the complexity, beauty, and vulnerability of natural ecosystems.

Since the early 1990s, Thomas Struth has expanded his practice to include cityscapes, family portraits, architectural interiors, and technologically advanced industrial sites. Across these series, he consistently interrogates the relationship between humanity, culture, and environment. Struth's limited edition photographs and prints reflect the same intellectual depth and formal precision as his monumental works, making them highly sought after by collectors of contemporary photography and museum-quality artworks.

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