Thomas Struth - James Simon Galerie

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Thomas Struth (German, born 1954)

Wall Detail, James Simon Galerie, Berlin, 2019

Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued)

Print dimensions: 34.7 x 26 cm

Frame dimensions: 56.5 x 45 cm

Edition of 100 + 14 AP: Hand signed and numbered, verso

Condition: Mint

This artwork ships worldwide.
Thomas Struth - James Simon Galerie

About this artwork

Thomas Struth - James Simon Galerie

Thomas Struth's Wall Detail, James Simon Galerie, Berlin (2019) is a contemplative inkjet print capturing a quiet architectural moment within David Chipperfield's modernist museum design. This signed photography edition reflects Struth's fascination with structure, space, and human-made environments, hallmarks of his celebrated architectural photography series that has defined contemporary fine art photography for decades.

Framed by the interplay of concrete, glass, and shadow, this limited edition artwork reveals the subtle beauty of institutional architecture. Issued in an edition of 100 plus 14 artist's proofs, each hand-signed photograph is numbered on the verso and presented back-mounted on Alu-Dibond within its original archival cardboard setting, ensuring museum-quality preservation.

Why collectors choose this work: Hand-signed and numbered by Thomas Struth, rare limited edition of 100, museum-quality inkjet printing on archival paper, professional Alu-Dibond mounting, and a significant example of contemporary architectural photography from one of the Düsseldorf School's most important artists.

Thomas Struth - Juquehy

About Thomas Struth

Thomas Struth (born 1954, Geldern, Germany) is a distinguished photographer and a key figure of the Düsseldorf School, internationally recognized for his rigorous exploration of perception, observation, and the environments we inhabit. Trained at the Kunstakademie Düsseldorf under Bernd and Hilla Becher, Struth developed a precise documentary approach that combines conceptual discipline with exceptional visual clarity. His photographic artworks examine how individuals relate to cultural spaces, urban architecture, and the natural world.

Among his most celebrated bodies of work are the museum photographs, which depict visitors contemplating masterpieces in institutions such as the Louvre, the Prado, and the National Gallery. These large-scale photographs investigate spectatorship itself, turning the act of looking into the central subject. In contrast, Struth's Paradies series presents dense, untouched landscapes devoid of human presence. Each photograph becomes an immersive artwork that evokes both reverence and unease, underscoring the complexity, beauty, and vulnerability of natural ecosystems.

Since the early 1990s, Thomas Struth has expanded his practice to include cityscapes, family portraits, architectural interiors, and technologically advanced industrial sites. Across these series, he consistently interrogates the relationship between humanity, culture, and environment. Struth's limited edition photographs and prints reflect the same intellectual depth and formal precision as his monumental works, making them highly sought after by collectors of contemporary photography and museum-quality artworks.

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