Thomas Ruff - d.o.p.e.

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Thomas Ruff (German, b. 1958)

d.o.pe., 2022-2023

Medium: Set of 4 archival digital pigment prints on rag paper

Vertical dimensions (3 works): 70 x 55 cm (27.5 x 21.7 in)

Horizontal dimensions (one work): 70 x 100 cm (27.5 x 39.5 in)

Edition of 40 + 5 AP: Hand-signed and numbered

Condition: Mint

This artwork ships worldwide.

About this artwork

Thomas Ruff - d.o.p.e.

Thomas Ruff's remarkable set of four archival pigment prints on rag paper (2022-2023) represents the contemporary artist's most ambitious exploration of algorithmic abstraction, where mathematical precision generates hallucinatory, fractal-like compositions that challenge our understanding of natural versus artificial imagery. 

Published in a limited edition of 40 + 5 AP, each print is hand-signed and numbered by the artist, with three vertical works (70 × 55 cm) and one horizontal work (70 × 100 cm) forming a cohesive visual meditation on digital perception. The d.o.pe. series exemplifies Ruff's continued investigation into how contemporary photography and digital tools reshape our visual experience in the 21st century.

"In early 2000, an initial attempt to create these objects myself on the computer failed because the programs available at the time did not achieve the desired precision. But twenty years later, a new software enabled me to visualize the beauty of mathematics as well as generate those ‘psychedelic’ images that appear natural but are completely artificial. (...) When I started working on d.o.pe., I felt it was time to think about these fantastical images, images that don’t make sense at all, that just show up. They play a major part in perception and the discussions about the ways it operates.” - Thomas Ruff 

Thomas Ruff, Untitled (Sterne 17h 38m/-30°, 1990)

About Thomas Ruff

Thomas Ruff, a contemporary German photographer, born 1958, has established himself as a critical and conceptual force in the world of photography since his career’s inception in the 1970s. Working exclusively in series, Ruff’s diverse subjects range from the intimate spaces of domestic interiors to the profound depth of portraits, and even the contentious realms of pornography. Each series is meticulously crafted to spur the imagination, inviting viewers into a space where visual narratives unfold in multifaceted layers.

Thomas Ruff’s artwork traverses a wide spectrum of themes, delving into areas as vast as the mysteries of cosmology and the everyday landscapes of suburbia. He also tackles the contrasting concepts of utopianism and catastrophe, offering a rich tapestry of visual exploration. This thematic diversity of his unique and edition artworks is not just a showcase of subjects but also an inquiry into the status of the image in contemporary culture. Through his photographic prints, Thomas Ruff skillfully blurs the line between reality and fiction, challenging viewers to question their perceptions and the very nature of photographic truth.

A notable aspect of Ruff’s practice is his adept use of technological advancements in photography. He harnesses these innovations to open up new possibilities in the field, pushing the boundaries of traditional photographic techniques. In doing so, Thomas Ruff not only explores new visual territories but also engages in a deeper dialogue about the artistic quality and value of photography. His work probes into the roles of authenticity and appropriation in art, making his contributions particularly resonant in the digital age.

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