Thomas Ruff – d.o.p.e.

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Thomas Ruff (German, b. 1958)

d.o.pe., 2022-2023

Medium: Set of 4 archival digital pigment prints on rag paper

Vertical dimensions (3 works): 70 x 55 cm (27.5 x 21.7 in)

Horizontal dimensions (one work): 70 x 100 cm (27.5 x 39.5 in)

Edition of 40 + 5 AP: Hand-signed and numbered

Condition: Mint

This artwork ships worldwide.

About this artwork

Thomas Ruff – d.o.p.e.

Thomas Ruff's remarkable set of four archival pigment prints on rag paper (2022-2023) represents the contemporary artist's most ambitious exploration of algorithmic abstraction, where mathematical precision generates hallucinatory, fractal-like compositions that challenge our understanding of natural versus artificial imagery. 

Published in a limited edition of 40 + 5 AP, each print is hand-signed and numbered by the artist, with three vertical works (70 × 55 cm) and one horizontal work (70 × 100 cm) forming a cohesive visual meditation on digital perception. The d.o.pe. series exemplifies Ruff's continued investigation into how contemporary photography and digital tools reshape our visual experience in the 21st century.

"In early 2000, an initial attempt to create these objects myself on the computer failed because the programs available at the time did not achieve the desired precision. But twenty years later, a new software enabled me to visualize the beauty of mathematics as well as generate those ‘psychedelic’ images that appear natural but are completely artificial. (...) When I started working on d.o.pe., I felt it was time to think about these fantastical images, images that don’t make sense at all, that just show up. They play a major part in perception and the discussions about the ways it operates.” - Thomas Ruff 

Thomas Ruff, Untitled (Sterne 17h 38m/-30°, 1990)

About Thomas Ruff

Thomas Ruff (born 1958, Zell am Harmersbach, Germany) is a leading figure in contemporary photography and a key member of the Düsseldorf School, alongside artists such as Andreas Gursky and Thomas Struth. Since the late 1970s, Ruff has developed a rigorously conceptual practice, working exclusively in distinct photographic series that examine the status of the image in contemporary art and visual culture.

Ruff's artworks and limited edition prints span a wide range of subjects, from large-scale portrait photographs and suburban interiors to appropriated internet imagery, astronomy, and digitally manipulated nudes. Each series operates as a self-contained investigation into representation, scale, and perception. His early portrait works, with their neutral backgrounds and forensic clarity, established his reputation for confronting viewers with the constructed nature of photographic objectivity.

A defining aspect of Ruff's photographic artworks is his engagement with technology. He has consistently embraced new imaging techniques, from night-vision devices and scientific imaging to digital compression and internet-sourced files. By enlarging low-resolution images or manipulating existing photographs, Ruff exposes the limits of photographic truth and challenges assumptions about authenticity and authorship.

Through his prints and editions, Ruff has reshaped the discourse around contemporary photography. His work continues to question how images are produced, circulated, and consumed, securing his position as one of the most influential contemporary photographers of his generation.

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