Tacita Dean – La Puerta del Diablo

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Tacita Dean (British, b. 1965)

La Puerta del Diablo, 2021

Medium: Hand-printed photochemical photograph printed on Fuji flex paper, mounted on paper

Dimensions: 40 x 37.5 cm

Edition of 24 + 8 AP: Hand-signed and numbered

Condition: Mint

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Tacita Dean - La Puerta del Diablo

About this artwork

Tacita Dean – La Puerta del Diablo

Tacita Dean's La Puerta del Diablo (2021) is a signed limited edition photograph depicting a monumental rock formation known as "The Devil's Door." The artwork is part of Significant Form, Dean's long-term project in which she re-photographed 130 postcards collected over several decades from flea markets and archives. These vernacular images of sculptural and geological subjects were reinterpreted and hand-printed by the artist using analogue photochemical processes.

By rescuing ephemeral postcards from obscurity and translating them through hand-printing techniques, Tacita Dean transforms found imagery into a contemplative meditation on materiality, time, and the enduring resonance of analog photography. The photographic print foregrounds the tactile and temporal qualities of photochemical processes, asserting their continued relevance within contemporary photographic practice.

Published in 2021 in a limited edition of 24 plus 8 artist's proofs, La Puerta del Diablo is hand-signed and numbered by the artist. Printed on Fuji Flex paper and mounted on paper, this photograph exemplifies Dean's sustained commitment to photochemical techniques and her broader investigation into how images endure, accumulate history, and shift in meaning over time.

About Tacita Dean

Tacita Dean (British, born 1965) is a leading contemporary artist internationally recognized for her conceptual artworks spanning film, photography, drawing, printmaking, and installation. Born in Canterbury, England, Dean has built a rigorous practice centered on time, memory, and the material conditions of image-making.

Her artworks frequently return to maritime subjects, remote landscapes, and abandoned architectural sites, not as symbols but as environments where duration becomes visible. Through careful observation of erosion, disappearance, and human traces, Dean’s work foregrounds the passage of time as both subject and structure.

Film occupies a central position in her practice. A committed advocate for analogue 16mm film, Dean has consistently defended its physical presence and unpredictability in an increasingly digital age. Her films, often composed of long takes and restrained framing, invite sustained viewing and emphasize the materiality of the medium itself. This concern with process extends across her photographs, drawings, and limited edition prints, where surface, texture, and temporality remain critical.

Dean’s artworks are held in major museum collections including Tate, the Museum of Modern Art, and the Centre Pompidou. Through her continued exploration of analogue film and printed image, Tacita Dean remains a defining voice in contemporary art, with her works and art editions highly regarded by collectors and institutions worldwide.

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