Sol LeWitt – Kinderstern

Sale price€2.500,00

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Sol LeWitt (American, 1928-2007)

Untitled (from Kinderstern portfolio), 1989

Medium: Screenprint on Fabriano paper

Dimensions: 75.9 × 57.8 cm (29 9/10 × 22 4/5 in)

Edition of 100 + 20 AP: Hand-signed and numbered in pencil

Publisher: Edition Domberger (Stuttgart), with their blindstamp

Catalogue Raisonné: 1989.08

Condition: Excellent (sold in original paper sleeve)

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Sol LeWitt – Kinderstern

About this artwork

Sol LeWitt – Kinderstern

This untitled screenprint (1989) by Sol LeWitt is a hand-signed limited edition print on Fabriano paper, 75.9 × 57.8 cm, from an edition of 100 plus 20 artist's proofs, in excellent condition and sold in its original paper sleeve.

Built from LeWitt's characteristic vocabulary of bands and geometric forms generated by predetermined systems rather than gesture, the artwork applies his written-instruction method to the more intimate scale of a printed sheet. It was published by Edition Domberger in Stuttgart, bearing the publisher's blindstamp, as part of Kinderstern, a 1989 benefit portfolio for children's rights that brought together 22 international artists including Christo, Keith Haring, Sigmar Polke, and Max Bill. Within that company, LeWitt's contribution stands as a compact, exacting demonstration of the same conceptual rigor that defines his wall drawings and sculpture.

About Sol LeWitt

Sol LeWitt (1928–2007) was a pioneering American artist and key figure in the development of Conceptual Art and Minimalism. Born in Hartford, Connecticut, LeWitt led a radical shift during the 1960s away from Abstract Expressionism, asserting that the idea behind an artwork is more important than its physical form. In his influential 1967 essay Paragraphs on Conceptual Art, he wrote, "The idea becomes a machine that makes the art," emphasizing that all decisions should be made before execution, which he viewed as secondary.

LeWitt's artworks – including limited edition prints, signed lithographs, screenprints, wall drawings, paintings, and sculptures – are defined by geometric abstraction, simplicity, and the use of basic shapes and colors. Through repetition and systematic variation, he created complex visual structures that often took the form of large-scale installations and contemporary art prints. These works challenged traditional notions of authorship and production, firmly situating his practice within Conceptual Art and establishing him as one of the most important artists of the 20th century.

LeWitt's influence remains foundational for later generations of contemporary artists, with his fine art prints, sculptures, and wall drawings central to the study of idea-driven art and conceptual printmaking. Collectors worldwide seek his artist editions and signed prints for their intellectual rigor and visual impact. Major retrospectives of his work have been held at institutions including the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, and MASS MoCA. He died in 2007 in New York, leaving a lasting impact on how contemporary art is conceived and made.

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