
Sarah Morris – Color Referents (Miami)
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Sarah Morris (American, born 1967)
Color Referents (Miami), 2003
Medium: Portfolio of 9 digital pigment prints, on photo rag paper
Dimensions: 68 x 68 cm (26¾ x 26¾ in) each
Edition of 40: Hand-signed and numbered on colophon
Condition: Excellent
Artwork details
Sarah Morris' Color Referents (Miami) is a signed portfolio of nine digital pigment prints on photo rag paper, each measuring 68 × 68 cm. The complete set functions as a visual index to Morris's celebrated Miami cycle, documenting the architectural, cultural, and political motifs that inform her abstract paintings.
The print portfolio assembles sharply framed images of leisure spaces, luxury branding, sporting events, military flyovers, consumer products, and modernist façades. Rather than operating as straightforward documentary photographs, these works isolate fragments of urban spectacle, revealing the coded systems of power, commerce, and image production embedded within the contemporary city.
Color Referents (Miami) occupies a key position within Morris's printed artworks, bridging photography and geometric abstraction. By translating visual research into a cohesive editioned portfolio, Sarah Morris foregrounds the structural logic behind her paintings while presenting the source material as autonomous contemporary artworks in their own right.
Published in 2003 in a limited edition of 40, Color Referents (Miami) is hand-signed and numbered by the artist.
About this artist
Sarah Morris (born 1967, Kent, UK) is a leading contemporary artist whose artworks span painting, printmaking, and film. Internationally recognized for her bold geometric abstraction, Morris investigates the visual languages of power, architecture, and urban identity. Her paintings and fine art prints are closely linked to her films, a relationship she describes as “two sides of the same coin,” with each medium informing the other.
Central to Sarah Morris’s artwork are city-based series dedicated to global metropolises such as New York, Los Angeles, London, Beijing, Rio, and Miami. These bodies of work translate architectural structures, corporate logos, political spaces, and urban systems into precise abstract compositions. Using household gloss paint on square canvases and producing related limited edition prints, Morris builds complex grid structures in saturated, high-contrast color. Her artworks function as visual maps of contemporary cities, distilling their economic, cultural, and institutional frameworks into sharp-edged form.
Morris’s geometric prints play a significant role within her oeuvre, extending her painterly investigations into collectible, limited edition artworks. These editions retain the clarity, chromatic intensity, and structural rigor of her paintings while offering a focused exploration of urban spectacle and branding.
Her artworks have been exhibited internationally in major institutions, including the Philadelphia Museum of Art, Kunsthalle Zürich, Hamburger Bahnhof, the Hirshhorn Museum, the Whitechapel Gallery, Fondation Louis Vuitton, Kunsthalle Wien, and Deichtorhallen Hamburg. Morris lives and works in London and New York, and her artworks remain highly sought after within the global contemporary art market.

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