Robert Longo – Eric (from Men in the Cities)

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Robert Longo (born 1953)

Eric (from Men in the Cities), 2025

Medium: Screenprint and varnish on Somerset paper

Dimensions: 70 × 43.5 cm

Edition of 1273: Hand-signed and numbered

Condition: Mint

This artwork ships worldwide — fully insured.
Robert Longo – Eric (from Men in the Cities)

About this artwork

Robert Longo – Eric (from Men in the Cities)

Eric (from Men in the Cities) is a signed limited edition print by Robert Longo, revisiting one of the most iconic and widely imitated series in contemporary art. The sharply dressed figure — caught mid-contortion, suspended between abandon and collapse — belongs to the body of work that defined Longo's career and cemented his place within the Pictures Generation alongside Cindy Sherman, Richard Prince, and Sherrie Levine.

The original Men in the Cities series (1979–1983) began with a freeze-frame from a Fassbinder film and evolved into a defining statement on the psychological tensions of urban life. Longo photographed friends by throwing objects at them on the rooftop of his Manhattan apartment, provoking involuntary contortions he then translated into monumental charcoal drawings. As Longo put it: "Their movements are a cross between punk rock dancing and the way characters die in movies." So embedded in visual culture did the series become that it appeared in American Psycho, the opening credits of Mad Men, and Apple's iPod campaigns. Longo once described wanting the images to be "like a guitar chord in a Sex Pistols song — an abstract symbol."

The 2025 screenprint edition translates Longo's layered graphite process into silkscreen through multiple grayscale separations, producing the hyperreal grain texture and floating presence that define his print practice. Artworks from the series are held at MoMA, the Centre Pompidou, and the Metropolitan Museum of Art. Hand-signed and numbered, printed on Somerset paper.

Robert Longo – Janet (from Men in the Cities)

About Robert Longo

Robert Longo (born 1953, Brooklyn, New York) is a leading figure of the Pictures Generation, internationally recognized for his monumental, photographically derived drawings that examine power, violence, and authority in contemporary culture. Working primarily in charcoal, Longo transforms media-sourced imagery, including guns, jet fighters, waves, flags, and political figures, into stark black-and-white compositions defined by dramatic chiaroscuro and hyperreal precision.

By appropriating and recontextualizing images from mass media, Robert Longo exposes the spectacle embedded in systems of power. His intense contrasts of light and shadow heighten psychological tension, turning moments of action into suspended, almost cinematic tableaux. Across drawing, sculpture, film, photography, and printmaking, he maintains a rigorous visual language that merges technical mastery with cultural critique.

Longo rose to prominence with his seminal Men in the Cities series (1979–1983), featuring sharply dressed figures caught in contorted, ambiguous gestures. These works became icons of 1980s art, reflecting anxiety, alienation, and the pressures of corporate and political structures. Throughout his career, Longo has continued to confront themes of state control, media influence, and collective fear, positioning his artworks as both visually commanding and intellectually urgent.

His drawings, photographs and limited edition prints been exhibited at major institutions worldwide, including the Museum of Modern Art and the Los Angeles County Museum of Art, affirming his enduring impact on contemporary art and political image-making.

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