






Richard Long – Two Sahara Works
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Richard Long (British, b. 1945)
Two Sahara Works, 1988
Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper
Dimensions: each 63 x 93 cm (24¾ x 36½ in)
Edition of 75: each hand-signed and numbered
Condition: Mint
Artwork details
Richard Long's Two Sahara Works (1988) is a signed limited edition diptych that exemplifies his process-based approach to Land Art. The set consists of a granolithograph featuring a photographic image of a circular stone formation in the Sahara Desert, and a silkscreen presenting a circular text work that traces the sequence of natural elements encountered during his walk.
Together, image and language document both the physical act of walking and the conceptual framework behind it. The photographic print records a temporary intervention in the landscape, while the text piece transforms movement and observation into a structured, geometric form. Published in 1988, Two Sahara Works is hand-signed and numbered by the artist. By combining documentation with abstraction, Richard Long translates an ephemeral desert action into a lasting graphic artwork, uniting geography, time, and experience within a rigorous visual language.
About this artist
|Richard Long (born 1945, Bristol) is a pioneering British artist and a central figure of the Land Art movement. Since the late 1960s, he has redefined sculpture by using the landscape itself as both material and site. Educated at the West of England College of Art and Saint Martin’s School of Art in London, Long developed a practice rooted in walking, geometry, and direct engagement with nature.
Rather than producing permanent objects, Richard Long creates temporary interventions in natural environments. By arranging stones, mud, branches, or simply walking in repeated lines and circles, he forms minimal geometric structures that exist only for a moment. These ephemeral artworks are documented through photographs, maps, text works, and limited edition prints, which function as the lasting record of his actions. Through this process, walking becomes both method and medium.
A defining early artwork, A Line Made by Walking (1967), established his artistic language: a simple path worn into grass by repeated steps. This gesture transformed movement through landscape into sculpture and conceptual drawing. Throughout his career, Long has maintained this balance between physical presence and minimal form, exploring themes of time, distance, and human scale within vast natural settings.
Awarded the Turner Prize in 1989, Richard Long has exhibited internationally at institutions including Tate, the Guggenheim Museum, and major biennials worldwide. His photographs, fine art prints, and text-based editions continue to translate his outdoor works into collectible formats, preserving the conceptual clarity and elemental power that define his contribution to contemporary art.

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