Otis Kwame Kye Quaicoe – View of Yoei William

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Otis Kwame Kye Quaicoe (Ghanaian, b. 1988)

View of Yoei William, 2021

Medium: Screenprint with unique hand finished elements in acrylic paint

Dimensions: 115 x 75.5 cm

Edition of 35: Hand-signed, numbered and dated

Condition: Excellent

This artwork ships worldwide — fully insured.

About this artwork

Otis Kwame Kye Quaicoe – View of Yoei William

Otis Kwame Kye Quaicoe’s View of Yoei William (2021) is a signed screenprint with unique hand-finished elements in acrylic paint, exemplifying the artist’s dynamic fusion of printmaking and painting. Each impression from the limited edition is individually enhanced by Quaicoe, resulting in subtle variations that make every work distinct.

The portrait presents the sitter in a turquoise suit, holding a vivid red flower, positioned within a stylized interior that opens onto a sunlit landscape. Quaicoe’s characteristic chromatic contrasts and flattened spatial construction heighten the psychological presence of the figure. As in much of his practice, the artwork foregrounds contemporary Black identity, self-fashioning, and dignity through bold color, controlled line, and carefully staged composition.

Measuring 115 × 75.5 cm, the edition is limited to 35. Each hand-finished fine art print is hand-signed, numbered, and dated by the artist.

Otis Kwame Quaicoe – Rancher

About Otis Kwame Kye Quaicoe

Otis Kwame Kye Quaicoe (born 1988, Accra, Ghana) is a leading voice in contemporary figurative painting, internationally recognized for his psychologically charged portraits that center Black identity. Working primarily in painting and print, Quaicoe constructs powerful images that foreground dignity, self-possession, and interiority.

A defining aspect of Quaicoe’s artwork is his ability to render presence. His sitters meet the viewer with direct, unwavering gazes, their features modeled through a distinctive chromatic language in which deep blues, purples, and greens articulate skin tones. This expressive use of color, combined with gestural brushwork and flattened spatial settings, situates his practice between realism and stylized abstraction. The result is portraiture that feels both intimate and monumental.

Beyond representation, Quaicoe’s paintings and limited edition prints engage with broader questions of visibility, cultural memory, and self-fashioning within contemporary art. By presenting his subjects with composure and authority, he challenges reductive narratives and expands the visual vocabulary through which Black identity is depicted today.

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