Luc Tuymans – Superstition

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Luc Tuymans (Belgian, b. 1958)

Superstition, 2005

Medium: Screenprint in 5 colors on Somerset paper

Dimensions: 40 x 32 cm

Edition of 100 + 5 A.P.: Hand signed and numbered in pencil

Publisher: Monopol Magazine, Berlin

Printer: Roger Vandaele, Antwerp

Catalogue raisonné: “Luc Tuymans – Graphic Works 1989 – 2012”, pp. 162/163

Condtition: Excellent (unframed)

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Luc Tuymans - Superstition

About this artwork

Luc Tuymans – Superstition

Luc Tuymans's Superstition (2005) is a limited edition screenprint based on his oil painting of the same title executed in 1994, a pivotal year in the artist's career. The fine art print presents a stark, enlarged insect rendered in dark, reduced tones, confronting the viewer with a sense of unease and psychological tension that is central to Tuymans's practice.

The original painting was first shown in Tuymans's landmark exhibition Superstition at Portikus, Frankfurt am Main, in August 1994, a presentation that helped establish his international reputation and articulated many of the conceptual and psychological concerns that would define his work. Later that year, the painting was exhibited at David Zwirner, New York, further introducing Tuymans's imagery to an international audience.

By deliberately flattening form and suppressing aesthetic refinement, Luc Tuymans shifts attention away from visual seduction toward meaning and interpretation. The insect functions as a charged metaphor for fear, anonymity, and transgression, drawing the viewer into an ambiguous space between fascination and repulsion. In 2004, Superstition was included in Tuymans's major mid-career retrospective at Tate Modern, London, where it was positioned as a key work within his ongoing investigation of memory, perception, and the psychological power of images.

“Tuymans has described Superstition as a painting about art and transgression. He has said that he often makes his paintings appear clumsy, and ‘deprived of aesthetics’ so that there is more focus on meaning: ‘Superstition could be a nom de plume for art. Art that transgresses, that transmits. The insect in Superstition sucks you in. It’s almost shamanistic.’” – Tate Modern, 2004.

Luc Tuymans – Altar

About Luc Tuymans

Belgian artist Luc Tuymans, born in 1958 in Mortsel, stands out as a seminal figure in contemporary painting whose distinctive visual language has shaped the field for decades. Working with a muted palette of pale pastel tones often tinged with brown or grey, he creates atmospheres that feel understated yet emotionally charged. His paintings typically emerge from small-format canvases where everyday objects, architectural fragments, landscapes, and mask-like human figures become subjects of intense observation.

Tuymans’ practice is deeply rooted in the reinterpretation of pre-existing images drawn from photographs, film, and television. By filtering historically charged visuals through his restrained painterly approach, he interrogates the relationship between memory and representation. His works prompt viewers to reconsider familiar narratives surrounding major historical events, engaging with themes such as the world wars, Belgian colonial history, and the aftermath of September 11. Through this reflective process, he opens a space to contemplate the formation of collective memory and cultural identity.

Beyond his paintings, Tuymans also produces limited edition prints that extend his exploration of history and perception to a wider audience. These editions maintain the subtle color schemes and contemplative subjects that define his practice, offering accessible entry points into his artistic investigations. His work is held in leading museum collections worldwide, including the Centre Georges Pompidou in Paris, The Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, the Pinakothek der Moderne in Munich, the National Museum of Art in Osaka, and Tate in London. This global presence underscores the enduring significance of his contribution to contemporary art.

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