Louise Giovanelli – Tide

Sale price€1.600,00

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Louise Giovanelli (British, b. 1993)

Tide, 2024

Medium: Lithograph on wove paper

Dimensions: 69 x 49 cm (27 3/16 x 19 5/16 in)

Edition of 60: Hand-signed and numbered in pencil

Condition: Mint

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Louise Giovanelli – Tide

About this artwork

Louise Giovanelli – Tide

Louise Giovanelli’s signed lithograph Tide (2024) presents a tightly cropped view of cascading hair, rendered in warm copper, auburn and honeyed tones. While clearly figurative in origin, the image is stripped of narrative and bodily context. The radical close-up and vertical compression push the limited edition print toward abstraction, transforming strands of hair into a rhythmic sequence of undulating lines and luminous bands of light.

Giovanelli emphasises surface and flatness, allowing highlights to glide across the curved forms while darker passages recede into velvety shadow. The controlled tonal gradations and precise linear articulation create a sense of depth that is immediately countered by the shallow pictorial space. As a result, the figurative-abstract artwork hovers between sensual detail and formal composition, exemplifying her characteristic interplay between representation and abstraction.

Published in an edition of 60 in 2024, this fine art print on wove paper is hand-signed and numbered in pencil.

Louise Giovanelli – Plexus

About Louise Giovanelli

Louise Giovanelli (b. 1993, London) is a leading voice in contemporary British painting, recognised for her meticulously constructed compositions that interrogate the mechanics of looking, illusion and surface. She studied Fine Art at Manchester School of Art before completing postgraduate studies at the Städelschule in Frankfurt under Amy Sillman. Giovanelli lives and works in Manchester, UK.

Her paintings and works on paper are characterised by tightly cropped motifs drawn from art history, theatre, devotional imagery and cinematic sources. Giovanelli isolates fragments such as draped fabrics, cascades of hair, marble limbs or luminous skin, magnifying them until they hover between figuration and abstraction. Through layered glazing techniques and highly controlled brushwork, she produces surfaces that appear hyperreal yet remain consciously artificial, heightening the tension between image and material. Light plays a central role in her practice: highlights shimmer across satin, skin or sculptural forms, creating an atmosphere that feels both intimate and staged.

Giovanelli’s work frequently engages with the legacy of Baroque painting, religious iconography and classical sculpture, while simultaneously referencing contemporary photography and digital image culture. By compressing depth and bringing forms close to the picture plane, she intensifies the viewer’s awareness of desire, spectacle and ambiguity. The result is a body of work that feels at once historical and strikingly current.

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