Louise Giovanelli – Plexus

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Louise Giovanelli (British, b. 1993)

Plexus, 2024

Medium: Lithograph on wove paper

Dimensions: 69 x 49 cm (27 3/16 x 19 5/16 in)

Edition of 60: Hand-signed and numbered in pencil

Condition: Mint

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Louise Giovanelli – Plexus

About this artwork

Louise Giovanelli – Plexus

Louise Giovanelli's Plexus (2024) is a signed limited edition lithograph presenting a tightly cropped close-up of cascading hair, rendered in luminous yellow-gold tones that hover between the organic and the metallic. The motif belongs to Giovanelli's ongoing series of wig paintings — figurative in origin, yet so radically cropped and compressed that the subject dissolves into a rhythmic sequence of undulating lines and pooling light.

This is precisely what Louise Giovanelli means by "slow looking" — her term for a mode of painting that withholds narrative and resists fast consumption. As she has put it: "I try to be much more oblique and mysterious, and give as little information as possible." The acid-gold palette gives Plexus a particular intensity: cooler and more unsettling than her warmer-toned hair works, it lends the signed print an almost mineral quality that sits at the threshold between the sensuous and the strange — the territory between the sacred and the profane that Giovanelli consistently occupies.

Giovanelli's work is held in the permanent collections of the Tate, MOCA Los Angeles, ICA Miami, and Manchester Art Gallery, among others. Printed on 300 gsm Velin d'Arches paper, the fine art print is hand-signed and numbered in an edition of 60.

Louise Giovanelli – Tide

About Louise Giovanelli

Louise Giovanelli (b. 1993, London) is a leading voice in contemporary British painting, recognised for her meticulously constructed compositions that interrogate the mechanics of looking, illusion and surface. She studied Fine Art at Manchester School of Art before completing postgraduate studies at the Städelschule in Frankfurt under Amy Sillman. Giovanelli lives and works in Manchester, UK.

Her paintings and works on paper are characterised by tightly cropped motifs drawn from art history, theatre, devotional imagery and cinematic sources. Giovanelli isolates fragments such as draped fabrics, cascades of hair, marble limbs or luminous skin, magnifying them until they hover between figuration and abstraction. Through layered glazing techniques and highly controlled brushwork, she produces surfaces that appear hyperreal yet remain consciously artificial, heightening the tension between image and material. Light plays a central role in her practice: highlights shimmer across satin, skin or sculptural forms, creating an atmosphere that feels both intimate and staged.

Giovanelli’s work frequently engages with the legacy of Baroque painting, religious iconography and classical sculpture, while simultaneously referencing contemporary photography and digital image culture. By compressing depth and bringing forms close to the picture plane, she intensifies the viewer’s awareness of desire, spectacle and ambiguity. The result is a body of work that feels at once historical and strikingly current.

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