Kara Walker - Boo-Hoo


Kara Walker (American, b. 1969)

Boo-Hoo, 2000

Medium: Linocut on Arches Cover paper

Dimensions: 100.8 x 52.4 cm (40 x 20 1/2 in)

Edition of 70 + XXX: Hand-signed, titled, dated and numbered in pencil

Publisher: Parkett, Zurich and New York

Printer: Maurice Sanchez, Derrière L’Etoile Studio, New York

Literature: Parkett 59

Condition: Excellent

This artwork ships worldwide.

About this artwork

Kara Walker - Boo-Hoo

Kara Walker is internationally acclaimed for her provocative use of the silhouette to address themes of race, gender, power, violence, and historical memory. In Boo-Hoo (2000), Walker employs stark black-and-white contrast to evoke haunting imagery that speaks to both personal and collective trauma. The linocut depicts a silhouetted female figure whose tears transform into whip-like extensions, merging vulnerability with violence in a deeply unsettling yet powerful image.

Commissioned and published by Parkett, Zurich and New York, this edition reflects Walker’s ongoing exploration of antebellum iconography, confronting the grotesque legacies of slavery and racism in American culture. As with many of her most striking works, Boo-Hoo implicates the viewer in its unsettling narrative, forcing a confrontation with uncomfortable histories that remain urgent today.

As part of a limited edition of only 70 plus artist’s proofs, hand-signed and numbered, Boo-Hoo stands as a rare and highly sought-after print by one of the most significant contemporary American artists, whose work has been exhibited at major institutions including Tate Modern, MoMA, and the Whitney Museum of American Art.

Kara Walker – The Bush. Skinny. De-boning

About Kara Walker

Kara Walker is an internationally acclaimed American contemporary artist, celebrated for her provocative and visually arresting explorations of race, gender, power, and identity. Born in 1969 in Stockton, California, she rose to prominence in the mid-1990s with her groundbreaking silhouette installations, collages, and fine art prints. By reimagining the traditional 19th-century silhouette technique, Walker developed a radical visual language that continues to challenge historical narratives and expose the enduring impact of racism in American society.

At the core of Kara Walker’s artwork are her cut-paper silhouettes, often life-sized and arranged in expansive narrative tableaux. While the silhouette was historically associated with genteel portraiture, Walker subverts the medium’s decorative quality, transforming it into a tool for confronting the darkest aspects of U.S. history. Her stark black-and-white scenes depict unsettling images of slavery, violence, and exploitation, forcing viewers to engage with the uncomfortable truths that underpin the nation’s collective memory.

Beyond her iconic silhouettes, Walker has expanded her practice to include collage, painting, drawing, printmaking, and large-scale installations. Her fine art prints in particular demonstrate her exceptional technical mastery, as she explores the tension between delicacy and brutality through line, shadow, and composition. These works maintain the bold visual clarity of her silhouettes while deepening the psychological and historical resonance of her narratives.

Kara Walker’s art is both visually stunning and conceptually challenging. Through her fearless approach, she continues to provoke dialogue on issues of race, gender, and systemic inequality, cementing her role as one of the most important voices in contemporary art. Her artworks, whether monumental installations or intimate editions, invite viewers to grapple with history’s legacies while reflecting on the complexities of identity in the present.

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