Joseph Beuys – Noiseless Blackboard Eraser

Sale price€3.600,00

Taxes included. Shipping calculated at checkout.


Joseph Beuys (German, 1921-1986)

Noiseless Blackboard Eraser, 1974

Medium: Readymade multiple (felt blackboard eraser with printed labels and ink stamp)

Dimensions: 5 × 13 × 2.5 cm (2 × 5 × 1 in)

Edition of 550: Hand-signed in felt-tip pen and numbered in pencil

Publisher: Ronald Feldman Fine Arts, New York

Catalogue raisonné: WVZ Schellmann 101

Condition: Mint

This artwork ships worldwide.

About this artwork

Joseph Beuys – Noiseless Blackboard Eraser

Noiseless Blackboard Eraser (1974) by Joseph Beuys is an iconic readymade multiple that encapsulates the artist's concept of art as social and political action. Produced as a felt blackboard eraser with printed labels and ink stamp, this artwork originates from Beuys' first visit to the United States, following a political talk he held in New York.

When collectors sought to acquire the blackboard itself, Beuys instead erased it, transforming the eraser into an artwork that reflects his ideas of dematerialization, participation, and the primacy of process over object.

The significance of this work is underscored by its inclusion in the permanent collection of the Museum of Modern Art in New York.

Issued in an edition of 550, each signed fine art multiple is hand-numbered by the artist, making it a highly significant and collectible Joseph Beuys multiple.

Joseph Beuys - Initiation Gauloise

About Joseph Beuys

Joseph Beuys is widely regarded as one of the most influential artists of the postwar period, known for a radical practice that reshaped the definition of art itself. Rooted in social philosophy, humanism, and anthroposophy, Beuys understood art as a transformative force capable of shaping society. His work consistently challenged conventional boundaries, positioning creativity not as a specialized discipline but as a universal human capacity.

Beuys worked across an expansive range of media, including Fluxus actions, performances, happenings, sculptures, installations, drawings, and editions. Central to his practice was the production of prints and multiples, which he viewed as essential tools for democratizing art and extending its reach beyond museums and galleries. These limited edition works, often incorporating symbolic materials such as felt and animal fat, enabled Beuys to disseminate his ideas widely and reinforce his belief that “everyone is an artist.” Through editions, his artistic and philosophical concepts became accessible, participatory, and socially engaged.

Beuys’ visionary approach blurred the boundaries between art, politics, and everyday life, laying the groundwork for later forms of socially engaged and conceptual art. A landmark retrospective at the Solomon R. Guggenheim Museum in 1979 cemented his international reputation. Since his death in 1986, his work has been exhibited at major institutions worldwide, including the Centre Pompidou, Tate Modern, Museo Reina Sofia, Hamburger Bahnhof, and the National Gallery of Victoria, underscoring his enduring relevance within contemporary art history.

Prints, Photographs & Multiples

View our full collection of

Prints, Photographs & Multiples

Shop now