John Baldessari – Hand and Chin (with Entwined Hands)

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John Baldessari (American, 1931-2020)

Hand and Chin (With Entwined Hands), 1991

Medium: Photogravure with color spit bite aquatint on Somerset

Dimensions: 83,5 x 56,5cm (33 x 22 in)

Edition of 25: Hand-signed and numbered Artist Print (outside the edition

Publisher: Crown Point Press, San Francisco (with their blind stamp)

Printer: Lothar Osterburg

Catalogue raisonné: Coplan Hurowitz 54

Condition: Very good

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About this artwork

John Baldessari – Hand and Chin (with Entwined Hands)

John Baldessari‘s Hand and Chin (with Entwined Hands) (1991) is a compelling example of the artist's mature conceptual language, in which fragmented photographic imagery becomes a vehicle for examining perception, representation, and meaning. The composition presents disembodied hands and a chin isolated against a deep black ground, their surfaces selectively rendered in vivid, artificial color. By severing these gestures from the body, Baldessari shifts attention away from identity and toward form, touch, and visual syntax.

This signed limited edition print belongs to John Baldessari's long-standing investigation into the deconstruction of portraiture. Rather than presenting a face as a site of recognition, he reduces the human figure to expressive parts, encouraging viewers to read the artwork as a sequence of visual cues rather than a coherent subject. The entwined hands suggest intimacy, tension, or communication, yet remain deliberately ambiguous—a hallmark of Baldessari's strategy of withholding narrative resolution.

Produced as a photogravure with color spit-bite aquatint, this fine art print demonstrates Baldessari's sophisticated engagement with traditional printmaking techniques. The combination of photographic precision and painterly color application reinforces the tension between mechanical reproduction and expressive intervention. Printed by master printer Lothar Osterburg in San Francisco, the edition reflects the close collaborations that defined Baldessari's print practice during this period.

About John Baldessari

John Baldessari (1931–2020) was a pioneering American conceptual artist whose artworks fundamentally reshaped the relationship between image, text, and meaning in contemporary art. Widely regarded as one of the most important artists of the 20th century, Baldessari is best known for his use of appropriated photographs, language, and instructional formats to challenge how art is made, read, and understood.

Central to Baldessari's practice was the strategic juxtaposition of text and image. By pairing found photographs with short phrases or blocks of color, he exposed the instability of meaning and questioned authorship, narrative, and visual authority. His artworks are marked by intellectual rigor, dry humor, and a critical engagement with mass media and popular culture.

After abandoning painting in the early 1970s, Baldessari increasingly worked with photography, collage, film, video, and printmaking. His limited edition prints are especially significant, translating his conceptual ideas into highly collectible artworks that combine photographic imagery, bold graphic elements, and language. These signed editions and fine art prints played a key role in making his ideas accessible while preserving their conceptual sharpness.

Baldessari's influence extends across generations of contemporary artists, particularly those working with conceptual, photographic, and text-based practices. His unique artworks, photographs and limited edition prints are held in major museum collections worldwide and remain essential references for understanding the evolution of conceptual art and visual culture.

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