Christo - Edifice Public Epaqueté, Project (Monuments)

Christo’s Edifice Public Epaqueté (Project) is a screenprint on Bristol board, measuring 70 × 54.5 cm. The work depicts the artist’s early concept of wrapping monumental architecture, here visualized through the dramatic covering of the Ecole Militaire in Paris. With its folds, ropes, and monumental scale, the piece anticipates Christo and Jeanne-Claude’s later iconic wrappings of buildings and landmarks.

Produced as part of the Monuments Portfolio (1968), this edition was created to fund Christo’s participation in documenta 4 in Kassel. Printed by the renowned Hans-Peter Haas in Stuttgart, the portfolio also included offset prints and a multiple. From an edition of only 100, each screenprint is hand-signed and numbered in pencil by the artist. This scarce work marks a pivotal moment in Christo’s development of large-scale public interventions.

Christo Javacheff, known simply as Christo, gained fame as part of the renowned artistic duo Christo and Jeanne-Claude, celebrated for their monumental installations using fabric or plastic. Their transformative projects, which include wrapping the Reichstag in Berlin, draping the Pont Neuf in Paris, and installing the Surrounded Islands in Biscayne Bay, Greater Miami, explored the interaction between man-made and natural environments, challenging public perceptions of familiar spaces. The duo emphasized the aesthetic impact of their artworks, temporarily altering landscapes to create new, ephemeral experiences that only persisted through the preparatory drawings, prints, and multiples that documented their projects. Christo and Jeanne-Claude’s art was designed to be transient, existing in a physical form for only a short period before being dismantled. Christo reflected on this aspect of their artwork by saying, “I think it takes much greater courage to create things to be gone than to create things that will remain.” This philosophy underscored the uniqueness of their collaborations, which remained central to Christo’s career even after Jeanne-Claude’s passing in 2009. Following her death, Christo continued to realize visions they had conceived together, such as The Mastaba in London’s Hyde Park in 2018. Born in Bulgaria in 1935 and passing in 2020, Christo’s legacy is profound, characterized by a dedication to crafting visually stunning and conceptually deep works that redefined public spaces and engaged audiences worldwide. His contributions to art extend beyond the physical installations to include prints and editions that capture the essence of their temporary creations, allowing the impact of their work to endure beyond its physical presence.