



Candida Höfer - Colored Wood
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Candida Höfer (German, born 1944)
Colored Wood, 2017
Medium: C-Print
Dimensions: 56 × 57.7 cm (22 × 22 7/10 in)
Edition of 100: Hand-signed and numbered on verso
Condtion: Mint (sold unframed)
Artwork details
Candida Höfer’s Colored Wood (2017) is a striking c-print that reflects the artist’s celebrated precision and quiet observation of space, form, and surface. The photograph captures vertical planes of color and texture, resembling stacked panels of painted wood, where subtle tonal shifts evoke architectural rhythm and abstraction.
Measuring 56 × 57.7 cm, this limited edition of 100 is hand-signed and numbered by Höfer on the verso. Colored Wood demonstrates her ability to transform everyday spatial encounters into meditative compositions, aligning with her broader practice of documenting cultural interiors and material structures with clarity and balance.
About this artist
Candida Höfer (b. 1944, Eberswalde, Germany) is a distinguished photographer known for her meticulously composed images of public spaces including museums, libraries, opera houses, churches, and zoos. A student of Bernd and Hilla Becher at the Kunstakademie Düsseldorf, Höfer's practice is characterized by technical precision and a deeply conceptual approach to architecture and spatial dynamics.
Höfer's photographic prints, including C-prints like this signed limited edition photo edition, are renowned for their large-scale presentation and careful attention to light, symmetry, and architectural detail. By deliberately excluding people from her compositions, she amplifies the sense of absence and invites viewers to contemplate how spaces function and affect us. She has stated, "It became apparent to me that what people do in these spaces—and what these spaces do to them—is clearer when no one is present, just as an absent guest is often the subject of a conversation." This intentional emptiness allows the architecture itself to speak, revealing the silent eloquence of cultural environments.
Candida Höfer's artworks have been exhibited internationally and are held in major museum collections. Her contribution to contemporary photography lies in her ability to transform architectural documentation into contemplative meditations on space, memory, and the invisible presence of those who inhabit these environments.

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