About Daniel Buren

Daniel Buren (born 1938 in Boulogne-Billancourt, France) is one of the most influential French contemporary artists, internationally celebrated for his site-specific installations and his signature use of alternating vertical stripes. Since 1965, Buren has employed 8.7 cm-wide stripes as a "visual tool" to interrogate the relationship between artworks and their architectural, social, and institutional contexts. His practice challenges conventional notions of authorship, exhibition spaces, and the autonomy of art, positioning him as a pivotal figure in Conceptual and institutional critique.

Buren's artworks are characterized by their direct engagement with architecture and public space. His striped interventions—realized in paint, fabric, vinyl, and other materials—transform galleries, museums, and urban environments into sites of critical reflection. By applying his stripes to windows, walls, courtyards, and facades, he reveals how context shapes meaning and how institutions frame artistic production. This approach has made him one of the most important artists working at the intersection of art, architecture, and public intervention.

Printmaking and edition-making are integral to Buren's practice. His limited edition prints, screenprints, and signed editions translate his stripe-based investigations into highly collectible formats. These fine art prints capture the precision and conceptual rigor of his larger installations while making his distinctive visual language accessible to collectors worldwide. His prints are sought after for their ability to distill complex ideas about context, perception, and institutional critique into elegant geometric compositions.

Throughout his career, Buren has remained committed to questioning where and how art is displayed. His artworks continue to challenge viewers to reconsider the relationship between art and its surroundings, securing his position as one of the most important voices in contemporary art whose installations and prints redefine the possibilities of site-specific practice.

“Putting a shovel in a gallery or museum signified “this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context.” – Daniel Buren

Notable exhibitions

Daniel Buren gained international recognition with his controversial participation in the 1971 Guggenheim International Exhibition, where his striped banner was removed by the museum just before the opening. He represented France at the 1986 Venice Biennale, winning the Golden Lion for his immersive installation that transformed the French Pavilion.

Major exhibitions followed, including solo shows at the Musée National d'Art Moderne in Paris (1977), the Städtisches Museum Mönchengladbach (1981), the Solomon R. Guggenheim Museum in New York (2005), Kunsthaus Bregenz (2009), and a monumental 2012 exhibition at the Grand Palais in Paris, titled Excentrique(s). These presentations showcased his site-specific installations and highly collectible limited edition prints.

Buren's artworks are held in major international collections, including the Museum of Modern Art in New York, Tate Modern in London, and the Centre Pompidou in Paris. His continued presence in leading institutions worldwide affirms his enduring influence as an artist who fundamentally transformed how we understand the relationship between artworks, architecture, and institutional spaces.