Arnulf Rainer

Arnulf Rainer
Arnulf Rainer‘s limited edition prints are an integral aspect of his pioneering work in overpainting, a method of abstraction that he famously developed. Characterized by raw drypoint marks, each abstract print encapsulates Rainer’s profound exploration of image deconstruction and the boundaries of self-expression.
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Arnulf Rainer (born 1929 in Baden bei Wien, Austria) is one of the most influential Austrian artists of the postwar era, celebrated for his radical contributions to abstract art. Residing in Vienna, Rainer has built a career spanning more than seven decades, defined by relentless innovation and a willingness to challenge artistic norms. Largely self-taught, he began with an early engagement in Surrealism, which he soon combined with the gestural spontaneity of Art Informel. This experimentation led him to develop his signature practice of overpainting, the technique for which he is best known.
Overpainting involves the reworking of existing artworks - including paintings, prints, and photographs - by layering them with bold, gestural brushstrokes and heavy impasto. In doing so, Rainer transforms the original work into a new creation, simultaneously obscuring and amplifying the underlying image. These artworks, described by the artist as meditations on “the extinction of expression, permanent covering, and contemplative tranquility,” reflect his enduring fascination with destruction, transformation, and renewal. His method not only redefined the limits of abstract painting but also raised profound questions about authorship and artistic ownership.
In addition to painting, Rainer has extended his practice into the field of printmaking. His limited edition prints showcase the same intensity and energy as his overpaintings, using deeply incised etching marks and layered gestures to create densely textured compositions. These prints, like his paintings, blur the line between erasure and creation, embodying the paradoxes of concealment and revelation.
Arnulf Rainer’s uncompromising vision has positioned him as a pivotal figure in contemporary art, with his paintings and prints continuing to resonate internationally for their radical approach to abstraction and their profound psychological depth.
Auction record: €750k, Ketterer, 2020

Arnulf Rainer’s pivotal role in postwar abstract art is reflected in a distinguished exhibition history spanning over six decades. He gained early international visibility with his participation in documenta in Kassel (1972, 1977, 1982) and by representing Austria at the Venice Biennale in 1978, later also designing the Austrian Pavilion for the 1984 edition.
His work has since been the focus of major retrospectives at leading institutions, including the Albertina in Vienna (2014), the Alte Pinakothek in Munich (2010), the Stedelijk Museum in Amsterdam, the Solomon R. Guggenheim Museum in New York, and the Centre Pompidou in Paris. In Austria, his legacy is further celebrated by the Arnulf Rainer Museum in Baden bei Wien, founded in 2009 as a dedicated institution for his art.
These exhibitions affirm Rainer’s lasting influence as one of the most radical and innovative abstract painters and printmakers of his generation, whose overpaintings and prints continue to challenge and expand the boundaries of contemporary art.
Arnulf Rainer (born 1929 in Baden bei Wien, Austria) is one of the most influential Austrian artists of the postwar era, celebrated for his radical contributions to abstract art. Residing in Vienna, Rainer has built a career spanning more than seven decades, defined by relentless innovation and a willingness to challenge artistic norms. Largely self-taught, he began with an early engagement in Surrealism, which he soon combined with the gestural spontaneity of Art Informel. This experimentation led him to develop his signature practice of overpainting, the technique for which he is best known.
Overpainting involves the reworking of existing artworks - including paintings, prints, and photographs - by layering them with bold, gestural brushstrokes and heavy impasto. In doing so, Rainer transforms the original work into a new creation, simultaneously obscuring and amplifying the underlying image. These artworks, described by the artist as meditations on “the extinction of expression, permanent covering, and contemplative tranquility,” reflect his enduring fascination with destruction, transformation, and renewal. His method not only redefined the limits of abstract painting but also raised profound questions about authorship and artistic ownership.
In addition to painting, Rainer has extended his practice into the field of printmaking. His limited edition prints showcase the same intensity and energy as his overpaintings, using deeply incised etching marks and layered gestures to create densely textured compositions. These prints, like his paintings, blur the line between erasure and creation, embodying the paradoxes of concealment and revelation.
Arnulf Rainer’s uncompromising vision has positioned him as a pivotal figure in contemporary art, with his paintings and prints continuing to resonate internationally for their radical approach to abstraction and their profound psychological depth.
Auction record: €750k, Ketterer, 2020
Arnulf Rainer’s pivotal role in postwar abstract art is reflected in a distinguished exhibition history spanning over six decades. He gained early international visibility with his participation in documenta in Kassel (1972, 1977, 1982) and by representing Austria at the Venice Biennale in 1978, later also designing the Austrian Pavilion for the 1984 edition.
His work has since been the focus of major retrospectives at leading institutions, including the Albertina in Vienna (2014), the Alte Pinakothek in Munich (2010), the Stedelijk Museum in Amsterdam, the Solomon R. Guggenheim Museum in New York, and the Centre Pompidou in Paris. In Austria, his legacy is further celebrated by the Arnulf Rainer Museum in Baden bei Wien, founded in 2009 as a dedicated institution for his art.
These exhibitions affirm Rainer’s lasting influence as one of the most radical and innovative abstract painters and printmakers of his generation, whose overpaintings and prints continue to challenge and expand the boundaries of contemporary art.



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