Tracey Emin – I Just Felt Hurt

Sale price€7.800,00

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Tracey Emin (born 1963 in Croydon)

I Just Felt Hurt, 2024

Medium: Lithograph on wove paper

Dimensions: 80 x 68 cm (32 x 27 in)

Edition of 100: Hand-signed, numbered and dated

Condition: Mint

This artwork ships worldwide.
Tracey Emin - I Just Felt Hurt

About this artwork

Tracey Emin – I Just Felt Hurt

Tracey Emin's I Just Felt Hurt portrays a poignant female figure rendered in expressive blue hues against the stark backdrop of white wove paper. This signed limited edition lithograph captures the raw, emotive quality that defines Emin's most powerful work—transforming personal vulnerability into universal resonance.

The print's minimalist composition and gestural lines reflect Emin's signature exploration of intimacy, emotional exposure, and the complexities of human feeling. Created in 2024, the work continues her decades-long practice of turning private pain into public art, inviting viewers into an unguarded moment of emotional truth. The expressive blue palette and spontaneous mark-making evoke both fragility and strength, embodying the tension between visibility and silence that characterizes much of her autobiographical practice.

Part of Emin's celebrated body of limited edition prints that make her confessional aesthetic accessible to collectors, each authenticated edition is hand-signed, numbered, and dated by the artist, preserving this intimate meditation on hurt, healing, and the courage of emotional honesty.

About Tracey Emin

Tracey Emin (born 1963, London) is a leading British contemporary artist and a defining figure of the Young British Artists (YBAs) who emerged in the 1990s. Working across painting, drawing, printmaking, embroidery, neon, sculpture, film, and installation, Emin has built an internationally recognized practice grounded in autobiographical expression. Her artworks transform personal memories, relationships, and vulnerability into direct, emotionally charged statements that resonate far beyond their intimate origins.

Emin is widely known for her candid exploration of love, sexuality, loss, trauma, and longing. Her breakthrough installation My Bed (1998), exhibited for the Turner Prize in 1999, became a landmark in contemporary art by presenting an unmade bed surrounded by personal detritus. The work exemplifies her ability to turn private experience into public confrontation, challenging traditional distinctions between confession, performance, and fine art.

Alongside her installations, Tracey Emin’s paintings, drawings, and limited edition prints play a central role in her oeuvre. Characterized by expressive line, handwritten text, and gestural mark-making, these artworks convey immediacy and psychological intensity. Her fine art prints and editions offer collectors access to the same raw visual language found in her larger artworks, reinforcing her status as one of the most influential and sought-after artists in contemporary British art.

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