Sigmar Polke – Dr Pabscht het z'Schpiez ...


Sigmar Polke (German, 1941-2010)

Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut (Parkett No. 30), 1980/91

Medium: Digital print on vinyl with acrylic lacquer, mounted on stretcher

Dimensions: 50.2 x 40.3 x 2.5 cm (19 4/5 × 15 9/10 x 1 in)

Edition of 100 + XX: Hand signed and numbered on a label, verso

Publisher: Parkett Publishers, Zürich and New York

Catalogue raisonné: Becker/von der Osten 91

Condition: Very good

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Sigmar Polke – Dr Pabscht het z'Schpiez...

About this artwork

Sigmar Polke – Dr Pabscht het z'Schpiez ...

Sigmar Polke's Dr Pabscht het z'Schpiez s'Schpäckbschteck z'schpät bschteut (Parkett No. 30) is a signed mixed-media multiple published by Parkett Publishers in 1991. Executed as a digital print on vinyl with acrylic lacquer and mounted on stretcher, the artwork is catalogued as Becker/von der Osten 91.

The deliberately absurd title, a Swiss-German tongue twister loosely translating to "The Pope ordered the bacon cutlery in Spiez too late," reflects Polke's characteristic linguistic wit and subversive humor. The image depicts an open case containing two crossed spoons, a motif originally derived from a 19th-century mail-order catalogue and later appropriated by Max Ernst in his Surrealist collages. By reappropriating this already mediated image, Sigmar Polke layers historical references, reproduction techniques, and ironic detachment.

The limited edition artwork exemplifies Polke's long-standing investigation into authorship, appropriation, and the instability of meaning. Combining mechanical reproduction with painterly surface treatment through acrylic lacquer, the art edition blurs distinctions between print, painting, and object. As part of the influential Parkett edition series, this multiple represents an important example of Polke's edition practice and his enduring contribution to postwar conceptual, postmodern and Pop Art.

Published in 1991 in a limited edition of 100 plus Roman-numeral copies, Dr Pabscht het z'Schpiez s'Schpäckbschteck z'schpät bschteut (Parkett No. 30) is hand-signed and numbered by the artist.

Sigmar Polke - S. schmeckt Pfirsich von H.

About Sigmar Polke

Sigmar Polke (1941–2010) was a defining force in contemporary art, renowned for his radical experimentation, conceptual wit, and relentless material innovation. Working across painting, photography, and printmaking, Polke treated his studio as a laboratory, combining chemical processes, unconventional materials, and layered imagery to expand the possibilities of both artwork and print. His paintings and limited edition prints remain highly influential and are widely sought after in the international contemporary art market.

In the early 1960s, Polke co-founded Capitalist Realism with Gerhard Richter and Konrad Lueg, developing a sharp critique of consumer culture and postwar German society. Drawing on advertising, newspapers, and popular imagery, his artworks blurred the boundaries between high art and mass production. His signature raster-dot technique, inspired by mechanical printing processes, translated enlarged media images into paintings and art editions that questioned authorship, reproduction, and authenticity.

Throughout his career, Sigmar Polke continually reinvented his artistic language, producing complex artworks that combine irony, political commentary, and painterly experimentation. He participated in major international exhibitions, including documenta and the Venice Biennale, where he received the Golden Lion in 1986. Major retrospectives at institutions such as the Museum of Modern Art, Tate Modern, and Museum Ludwig confirm Polke’s lasting importance. Today, his artworks and prints hold a central position in museum collections and among collectors of museum-quality contemporary art editions.

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