Sigmar Polke - Bargeld Lacht

Sale price€2.900,00

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Sigmar Polke (German, 1941 – 2010)

Bargeld lacht, 2002

Medium: Screenprint and offset in colors, on cardboard

Dimensions: 70 × 50 cm

Edition of 70 + X: Hand signed, numbered and dated

Condition: Excellent

This artwork ships worldwide.
Sigmar Polke - Bargeld Lacht

About this artwork

Sigmar Polke - Bargeld Lacht

Sigmar Polke's Bargeld lacht (2002) is a provocative screenprint and offset print on cardboard that critiques consumer culture and the seductive power of money. This hand-signed limited edition artwork combines collage-like elements, a printed fabric swatch, graphic hand illustration, and bold advertising text, creating a layered visual commentary characteristic of Polke's experimental approach to contemporary printmaking.

Measuring 70 × 50 cm, this signed print exemplifies the artist's mastery of mixed-media techniques and his critical engagement with pop art, advertising, and capitalist imagery. Published in an edition of only 70 plus additional artist's proofs, each print is hand-signed, dated, and numbered by Sigmar Polke, making this a highly collectible example of German contemporary art from one of the most influential postwar artists.

Why collectors choose this work: Hand-signed and numbered by Sigmar Polke, rare limited edition of 70, museum-quality screenprint and offset printing, iconic critique of consumer culture, and a significant example of experimental printmaking that bridges pop art and conceptual art traditions.

Sigmar Polke - S. schmeckt Pfirsich von H.

About Sigmar Polke

Sigmar Polke (1941, 2010) was a defining force in contemporary art, celebrated for his radical experimentation, intellectual wit, and material innovation. Often described as an alchemist, Polke worked fluidly across painting, photography, and printmaking, treating his studio like a laboratory. Through chemical processes, unconventional materials, and layered imagery, he expanded the boundaries of painting and print, producing artworks that remain highly influential and sought after by collectors of contemporary art and limited edition prints.

In the 1960s, Polke co-founded Capitalist Realism alongside Gerhard Richter and Konrad Lueg, using irony and mass media imagery to critique consumer culture and postwar German society. His works frequently incorporate everyday motifs, advertising visuals, and offset printing techniques, sometimes painted on wallpaper or fabric. Polke’s signature raster or grid method translated enlarged newspaper and magazine images onto canvas, blurring distinctions between high art, popular culture, and mechanical reproduction in both paintings and art editions.

Polke’s impact on postmodern art continues through his innovative approach to material, image, and meaning. He exhibited internationally at documenta, the Bienal de São Paulo, and the Venice Biennale, where he received the Golden Lion in 1986. Major retrospectives were held at institutions such as the Museum of Modern Art, Tate Modern, and Museum Ludwig, confirming Sigmar Polke’s lasting relevance within contemporary art history and the market for museum-quality artworks and editions.

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