Rupprecht Geiger

Where Rothko used colour to dissolve form and Kelly reduced form to its purest geometry, Geiger staked out a third position: colour as the subject itself — not as atmosphere, not as structure, but as an independent force demanding its own investigation. Working in Munich from the postwar years onward, he became the central figure of German Concrete abstraction, participating in documenta 2, 3, 4, and 6 and holding a professorship at the Kunstakademie Düsseldorf. His fluorescent reds and oranges — rendered in hard-edged geometric forms across paintings, prints, and editions — place him at the intersection of European rigour and American Colour Field painting. Works held at the Pinakothek der Moderne, Munich.
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