JR – Death Valley Billboard

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JR (French, born 1983)

Trompe l’Oeil, Death Valley, Billboard, March 4, 2017, 2021

Medium: Lithograph in colors, on BFK Rives

Dimensions: 50 x 85 cm (19.7 x 33.5 in)

Edition of 180: Hand signed and numbered

Condition: Mint

This artwork ships worldwide.
JR - Death Valley Billboard

About this artwork

JR – Death Valley Billboard

JR's Trompe l'Oeil, Death Valley, Billboard originates from the artist's ongoing Trompe l'Oeil series, in which large-scale photographic interventions are installed directly into landscapes to disrupt perception and spatial logic. Installed in the California desert in 2017, the signed lithograph presents a billboard whose image aligns precisely with the surrounding mountain range, creating a striking illusion in which representation and reality momentarily collapse into one another.

By inserting a photographic fragment of the landscape back into the landscape itself, JR questions the authority of images, the mechanics of visual truth, and the constructed nature of what we see. The billboard structure, typically associated with advertising and mediation, becomes a tool for reflection rather than persuasion, drawing attention to how images frame, isolate, and reshape our experience of place.

Published in 2017 in a limited edition of 100 lithographs, Trompe l'Oeil, Death Valley, Billboard is hand-signed and numbered by the artist. This fine art print translates the ephemeral site-specific intervention into a permanent, collectible format while preserving the conceptual rigor of the original artwork, exemplifying JR's practice of merging photography, public space, and illusion to challenge conventions of representation and scale.

JR – In the Container Wall

About JR

JR (French, b. 1983) is an internationally recognized contemporary artist known for his large-scale photographic works, public interventions, and limited edition prints. Emerging from the Paris street art scene in the early 2000s, JR has developed a distinctive practice that merges photography, urban art, and social engagement. His work is widely associated with the evolution of street art into the institutional art world, alongside figures such as Banksy, Invader, and Shepard Fairey.

JR’s artworks are characterized by monumental black-and-white photographic images that are installed directly within public and natural environments. These interventions are rigorously composed and documented, forming the basis for signed lithographs, fine art prints, and editioned artworks that translate his public projects into collectible formats. His limited edition prints retain the conceptual and visual impact of the original installations while offering collectors access to his practice through museum-quality production.

Central to JR’s work is the use of photography as a tool for visibility and dialogue. By enlarging portraits and integrating them into their surrounding landscapes, he challenges traditional distinctions between subject and setting, image and architecture. This approach extends seamlessly into his printmaking, where scale, perspective, and illusion remain central concerns.

JR’s signed prints and artworks are held in major institutional collections including The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Brooklyn Museum; Château La Coste, Aix-en-Provence; and Musée de l’Elysée, Lausanne. His fine art prints are valued for their conceptual rigor, strong visual presence, and direct connection to landmark public projects, positioning them as important examples of contemporary photographic and urban art editions.

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