Thomas Ruff – Untitled (Sterne 17h 38m/-30°, 1990)


Thomas Ruff (German, b. 1958)

Untitled (Sterne 17h 38m/-30°, 1990), 1990/2004

Medium: Artist’s book, c-print and bookplate

Dimensions: 40 × 30 cm (15 7/10 × 11 4/5 in)

Edition of 30: C-print and bookplate each signed, dated and marked H.C.

Artist’s book: Edition Ex Libris: Thomas Ruff präsentiert Atlas zum Lehrbuch der kosmischen Physik, published in 1861 by Joh. Müller

Condition: Excellent

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Thomas Ruff, Untitled (Sterne 17h 38m/-30°, 1990)

About this artwork

Thomas Ruff – Untitled (Sterne 17h 38m/-30°, 1990)

Thomas Ruff's Untitled (Sterne 17h 38m/-30°, 1990) belongs to his seminal Sterne series, in which the artist appropriates astronomical negatives from scientific archives to radically redefine photography as a conceptual and informational medium. Created at the intersection of art and astrophysics, this limited edition print rejects authorship through the camera, instead foregrounding data, distance, and the sublime abstraction of the cosmos.

This rare artist's book edition, combining a c-print and signed bookplate, reflects Ruff's sustained engagement with pre-digital image systems and historical knowledge production, a core concern throughout his oeuvre. Situated alongside his Porträts, Nudes, and JPEGs, the Sterne photographic prints mark a pivotal shift toward image theory, positioning photography as a tool for questioning perception, objectivity, and visual truth in contemporary art.

Thomas Ruff - Substrat

About Thomas Ruff

Thomas Ruff (born 1958, Zell am Harmersbach, Germany) is a leading figure in contemporary photography and a key member of the Düsseldorf School, alongside artists such as Andreas Gursky and Thomas Struth. Since the late 1970s, Ruff has developed a rigorously conceptual practice, working exclusively in distinct photographic series that examine the status of the image in contemporary art and visual culture.

Ruff's artworks and limited edition prints span a wide range of subjects, from large-scale portrait photographs and suburban interiors to appropriated internet imagery, astronomy, and digitally manipulated nudes. Each series operates as a self-contained investigation into representation, scale, and perception. His early portrait works, with their neutral backgrounds and forensic clarity, established his reputation for confronting viewers with the constructed nature of photographic objectivity.

A defining aspect of Ruff's photographic artworks is his engagement with technology. He has consistently embraced new imaging techniques, from night-vision devices and scientific imaging to digital compression and internet-sourced files. By enlarging low-resolution images or manipulating existing photographs, Ruff exposes the limits of photographic truth and challenges assumptions about authenticity and authorship.

Through his prints and editions, Ruff has reshaped the discourse around contemporary photography. His work continues to question how images are produced, circulated, and consumed, securing his position as one of the most influential contemporary photographers of his generation.

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