Thomas Ruff - Substrat 21 III

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Thomas Ruff (German, b. 1958)

Substrat 21 III 2003/19, 2019

Medium: Chromogenic print

Dimensions: 32 × 45.8 cm (12 3/5 × 18 in)

Edition of 300: Hand-signed and numbered in pencil

Condition: Excellent

This artwork ships worldwide.
Thomas Ruff - Substrat 21 III

About this artwork

Thomas Ruff - Substrat 21 III

Thomas Ruff's Substrat 21 III 2003/19 (2019) is a chromogenic print exploring the fluidity of digital abstraction through vibrant layers of color. The composition's shifting, kaleidoscopic surface exemplifies Ruff's interest in transforming photographic processes into painterly, otherworldly images.

Published in an edition of 300, each print is hand-signed and numbered in pencil by the artist. This abstract artwork represents a significant example of contemporary photography editions that blur the boundaries between traditional printmaking and digital innovation.

Thomas Ruff, Untitled (Sterne 17h 38m/-30°, 1990)

About Thomas Ruff

Thomas Ruff, a contemporary German photographer, born 1958, has established himself as a critical and conceptual force in the world of photography since his career’s inception in the 1970s. Working exclusively in series, Ruff’s diverse subjects range from the intimate spaces of domestic interiors to the profound depth of portraits, and even the contentious realms of pornography. Each series is meticulously crafted to spur the imagination, inviting viewers into a space where visual narratives unfold in multifaceted layers.

Thomas Ruff’s artwork traverses a wide spectrum of themes, delving into areas as vast as the mysteries of cosmology and the everyday landscapes of suburbia. He also tackles the contrasting concepts of utopianism and catastrophe, offering a rich tapestry of visual exploration. This thematic diversity of his unique and edition artworks is not just a showcase of subjects but also an inquiry into the status of the image in contemporary culture. Through his photographic prints, Thomas Ruff skillfully blurs the line between reality and fiction, challenging viewers to question their perceptions and the very nature of photographic truth.

A notable aspect of Ruff’s practice is his adept use of technological advancements in photography. He harnesses these innovations to open up new possibilities in the field, pushing the boundaries of traditional photographic techniques. In doing so, Thomas Ruff not only explores new visual territories but also engages in a deeper dialogue about the artistic quality and value of photography. His work probes into the roles of authenticity and appropriation in art, making his contributions particularly resonant in the digital age.

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