Thomas Ruff – Substrat 21 III

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Thomas Ruff (German, b. 1958)

Substrat 21 III 2003/19, 2019

Medium: Chromogenic print

Dimensions: 32 × 45.8 cm (12 3/5 × 18 in)

Edition of 300: Hand-signed and numbered in pencil

Condition: Excellent

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Thomas Ruff - Substrat 21 III

About this artwork

Thomas Ruff – Substrat 21 III

Thomas Ruff’s Substrat 21 III 2003/19 (2019) is a signed chromogenic print from his celebrated Substrat series, in which the artist transforms digitally manipulated source material into luminous fields of abstract color. Emerging from layers of distortion and recomposition, the fluid, kaleidoscopic surface dissolves recognizable form, emphasizing light, chromatic intensity, and the materiality of photographic processes.

Blurring the boundaries between photography and painting, Thomas Ruff converts technological intervention into visual atmosphere. The abstract artwork exemplifies his broader investigation into image production in the digital age, positioning contemporary photography as a site of abstraction rather than representation.

Published in an edition of 300, each photographic print is hand-signed and numbered in pencil by the artist. This chromogenic print stands as a compelling example of Ruff’s influential approach to contemporary photo editions.

Thomas Ruff, Untitled (Sterne 17h 38m/-30°, 1990)

About Thomas Ruff

Thomas Ruff (born 1958, Zell am Harmersbach, Germany) is a leading figure in contemporary photography and a key member of the Düsseldorf School, alongside artists such as Andreas Gursky and Thomas Struth. Since the late 1970s, Ruff has developed a rigorously conceptual practice, working exclusively in distinct photographic series that examine the status of the image in contemporary art and visual culture.

Ruff's artworks and limited edition prints span a wide range of subjects, from large-scale portrait photographs and suburban interiors to appropriated internet imagery, astronomy, and digitally manipulated nudes. Each series operates as a self-contained investigation into representation, scale, and perception. His early portrait works, with their neutral backgrounds and forensic clarity, established his reputation for confronting viewers with the constructed nature of photographic objectivity.

A defining aspect of Ruff's photographic artworks is his engagement with technology. He has consistently embraced new imaging techniques, from night-vision devices and scientific imaging to digital compression and internet-sourced files. By enlarging low-resolution images or manipulating existing photographs, Ruff exposes the limits of photographic truth and challenges assumptions about authenticity and authorship.

Through his prints and editions, Ruff has reshaped the discourse around contemporary photography. His work continues to question how images are produced, circulated, and consumed, securing his position as one of the most influential contemporary photographers of his generation.

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