Thomas Ruff – Queen in Car

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Thomas Ruff (German, b. 1958)

Queen in Car, 2021

Medium: Double-sided digital pigment print on cardboard (glossy front, matt verso)

Dimensions: 15 x 20 cm

Edition of 30: Hand signed and numbered verso

Condition: Excellent

This artwork ships worldwide.
Thomas Ruff - Queen in Car

About this artwork

Thomas Ruff – Queen in Car

Thomas Ruff's Queen in Car (2021) is a double-sided digital pigment print on cardboard that exemplifies the artist's sustained investigation into press photography, authorship, and the circulation of historical images. The signed artwork reproduces a newspaper photograph depicting Queen Elizabeth II alongside Prince Philip and Princess Margaret, isolating a moment of public visibility shaped by media framing and editorial selection.

The glossy recto presents the cropped press image as it would have appeared in print, while the matte verso reveals the reverse side of the source material, complete with editorial annotations, stamps, timestamps, and reproduction marks. By foregrounding these traces, Thomas Ruff redirects attention from the royal subject to the mechanics of image production. The photograph is no longer a neutral document but a constructed object shaped by institutional processes and systems of dissemination.

Published in 2021 in a limited edition of 30, Queen in Car is hand-signed and numbered on the verso by the artist. This double-sided photographic print stands as a significant example of Ruff's ongoing engagement with appropriated imagery and the politics of photographic representation.

Thomas Ruff - Substrat

About Thomas Ruff

Thomas Ruff (born 1958, Zell am Harmersbach, Germany) is a leading figure in contemporary photography and a key member of the Düsseldorf School, alongside artists such as Andreas Gursky and Thomas Struth. Since the late 1970s, Ruff has developed a rigorously conceptual practice, working exclusively in distinct photographic series that examine the status of the image in contemporary art and visual culture.

Ruff's artworks and limited edition prints span a wide range of subjects, from large-scale portrait photographs and suburban interiors to appropriated internet imagery, astronomy, and digitally manipulated nudes. Each series operates as a self-contained investigation into representation, scale, and perception. His early portrait works, with their neutral backgrounds and forensic clarity, established his reputation for confronting viewers with the constructed nature of photographic objectivity.

A defining aspect of Ruff's photographic artworks is his engagement with technology. He has consistently embraced new imaging techniques, from night-vision devices and scientific imaging to digital compression and internet-sourced files. By enlarging low-resolution images or manipulating existing photographs, Ruff exposes the limits of photographic truth and challenges assumptions about authenticity and authorship.

Through his prints and editions, Ruff has reshaped the discourse around contemporary photography. His work continues to question how images are produced, circulated, and consumed, securing his position as one of the most influential contemporary photographers of his generation.

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