Thomas Ruff – Negatives I

Sale price€2.500,00

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Thomas Ruff (German, b. 1958)

Negatives I, 2016

Medium: Digital pigment print, on rag paper

Dimensions: 70 x 100 cm (25.5 x 39.5 in)

Edition of 40: Hand-signed and numbered on verso

Condition: Mint

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Thomas Ruff – Negatives I

About this artwork

Thomas Ruff – Negatives I

Negatives I by Thomas Ruff exemplifies the artist’s continued exploration of photographic language and perception, positioning the work firmly within the discourse of contemporary photography. Using a process that digitally inverts historical black-and-white photographs into cyan-blue negatives, Ruff challenges the conventional relationship between positive and negative, presence and absence.

This particular artwork juxtaposes six images — a nude, two portraits, two still lifes, and a jet plane — creating a visual dialogue between intimacy, technology, and art history. Printed as a digital pigment print on rag paper, the work measures 70 x 100 cm and is part of an edition of 40, each hand-signed and numbered on verso.

Thomas Ruff - Substrat

About Thomas Ruff

Thomas Ruff (born 1958 in Zell am Harmersbach, Germany) is one of the most influential contemporary photographers, recognized for his conceptual rigor and groundbreaking contributions to the medium since the late 1970s. Working exclusively in series, Ruff explores subjects that range from intimate domestic interiors and stark, large-scale portraits to architectural photography, astronomy, and even appropriated images from the internet and pornography. Each body of work is carefully constructed to probe the role of photography in shaping how we see, remember, and imagine.

Ruff’s artwork is distinguished by its thematic breadth. His photographic prints delve into cosmology, suburbia, utopian ideals, and apocalyptic visions, reflecting both the ordinary and the extraordinary. This diversity underscores his ongoing investigation into the status of the image in contemporary culture—whether as a documentary trace, a manipulated fiction, or an entirely digital construct.

A hallmark of Thomas Ruff’s practice is his embrace of technological innovation. From analogue techniques to digital manipulation and computer-generated imagery, he has consistently pushed photography beyond its traditional boundaries. Series such as his Portraits, Interiors, Nights, and JPEGs have become touchstones in the history of contemporary photography, challenging notions of truth, authenticity, and appropriation.

Through his unique and limited edition prints, Ruff has redefined the possibilities of the photographic image, inspiring new generations of artists and collectors. His signed artworks continue to engage with questions of perception, reality, and representation, ensuring his place as a critical voice in the dialogue of photography and contemporary art.

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