Thomas Ruff - 3-D New York (Bronx)

Thomas Ruff’s 3-D New York (Bronx) (1998) is a set of two grano lithographs on Fabriano rag paper, each measuring 50 × 40 cm. The prints depict an aerial view of the Bronx, presented in stereoscopic format, inviting the viewer to experience the image in three dimensions when viewed with 3-D glasses. Issued in an edition of 60, each set is hand-signed and numbered by the artist.

Ruff’s 3-D works reflect his ongoing exploration of how photographic technologies alter perception and reality. By reactivating stereoscopic viewing, he connects 19th-century optical experiments with late-20th-century urban imagery. The result is both an archival meditation on the Bronx at a specific historical moment and a critical engagement with photography’s ability to construct spatial experience.

Thomas Ruff, a contemporary German photographer, born 1958, has established himself as a critical and conceptual force in the world of photography since his career’s inception in the 1970s. Working exclusively in series, Ruff’s diverse subjects range from the intimate spaces of domestic interiors to the profound depth of portraits, and even the contentious realms of pornography. Each series is meticulously crafted to spur the imagination, inviting viewers into a space where visual narratives unfold in multifaceted layers. Thomas Ruff’s artwork traverses a wide spectrum of themes, delving into areas as vast as the mysteries of cosmology and the everyday landscapes of suburbia. He also tackles the contrasting concepts of utopianism and catastrophe, offering a rich tapestry of visual exploration. This thematic diversity of his unique and edition artworks is not just a showcase of subjects but also an inquiry into the status of the image in contemporary culture. Through his photographic prints, Thomas Ruff skillfully blurs the line between reality and fiction, challenging viewers to question their perceptions and the very nature of photographic truth. A notable aspect of Ruff’s practice is his adept use of technological advancements in photography. He harnesses these innovations to open up new possibilities in the field, pushing the boundaries of traditional photographic techniques. In doing so, Thomas Ruff not only explores new visual territories but also engages in a deeper dialogue about the artistic quality and value of photography. His work probes into the roles of authenticity and appropriation in art, making his contributions particularly resonant in the digital age. Various major institutions have held solo exhibitions of Ruff’s work, including the K20, Kunstsammlung Nordrhein-Westfalen (2020–21), the National Portrait Gallery; Whitechapel Gallery, London (2017), the National Museum of Modern Art, Tokyo (2016), and the Haus der Kunst, Munich (2012).