Thomas Ruff - 3-D New York (Bronx)

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Thomas Ruff (German, b. 1958)

3-D New York (Bronx), 1998

Medium: Set of 2 grano lithographs on Fabriano rag paper

Dimensions: each 50 x 40 cm (19¾ x 15¾ in)

Edition of 60: Hand-signed and numbered

Condition: Excellent

This artwork ships worldwide.

About this artwork

Thomas Ruff - 3-D New York (Bronx)

Thomas Ruff's 3-D New York (Bronx) (1998) is a set of two grano lithographs on Fabriano rag paper, each measuring 50 × 40 cm. The signed photographic prints depict an aerial view of the Bronx, presented in stereoscopic format, inviting the viewer to experience the image in three dimensions when viewed with 3-D glasses. Issued in a limited edition of 60, each set is hand-signed and numbered by the artist.

Ruff's 3-D works reflect his ongoing exploration of how photographic technologies alter perception and reality. By reactivating stereoscopic viewing, he connects 19th-century optical experiments with late-20th-century urban imagery. The result is both an archival meditation on the Bronx at a specific historical moment and a critical engagement with contemporary photography's ability to construct spatial experience.

Thomas Ruff - Substrat

About Thomas Ruff

Thomas Ruff (born 1958) is a critically acclaimed German contemporary photographer who has established himself as a conceptual force in fine art photography since the 1970s. Working exclusively in series, Ruff's diverse subjects range from domestic interiors and portraits to provocative explorations of pornography. Each limited edition series is meticulously crafted to invite viewers into visual narratives that unfold in multifaceted layers.

Ruff's photographic artworks traverse themes from cosmology and suburban landscapes to utopianism and catastrophe, offering a rich tapestry of visual exploration. This thematic diversity in his signed prints and edition artworks represents an inquiry into the status of the image in contemporary art and culture. Through his photography, Thomas Ruff skillfully blurs the line between reality and fiction, challenging viewers to question their perceptions and the nature of photographic truth.

A notable aspect of Thomas Ruff's practice is his use of technological advancements in contemporary photography. He harnesses innovations to push the boundaries of traditional photographic techniques, exploring new visual territories while engaging in deeper dialogue about the artistic quality and value of photography prints. His work probes authenticity and appropriation in art, making his contributions particularly resonant in the digital age and cementing his position among the most important artists of the Düsseldorf School.

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