Thomas Ruff – 3-D New York (Bronx)

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Thomas Ruff (German, b. 1958)

3-D New York (Bronx), 1998

Medium: Set of 2 grano lithographs on Fabriano rag paper

Dimensions: each 50 x 40 cm (19¾ x 15¾ in)

Edition of 60: Hand-signed and numbered

Condition: Excellent

This artwork ships worldwide — fully insured.

About this artwork

Thomas Ruff – 3-D New York (Bronx)

Thomas Ruff's 3-D New York (Bronx) (1998) is a set of two grano lithographs on Fabriano rag paper, each measuring 50 × 40 cm. The signed photographic prints depict an aerial view of the Bronx, presented in stereoscopic format, inviting the viewer to experience the image in three dimensions when viewed with 3-D glasses. Issued in a limited edition of 60, each set is hand-signed and numbered by the artist.

Ruff's 3-D works reflect his ongoing exploration of how photographic technologies alter perception and reality. By reactivating stereoscopic viewing, he connects 19th-century optical experiments with late-20th-century urban imagery. The result is both an archival meditation on the Bronx at a specific historical moment and a critical engagement with contemporary photography's ability to construct spatial experience.

Thomas Ruff - Substrat

About Thomas Ruff

Thomas Ruff (born 1958, Zell am Harmersbach, Germany) is a leading figure in contemporary photography and a key member of the Düsseldorf School, alongside artists such as Andreas Gursky and Thomas Struth. Since the late 1970s, Ruff has developed a rigorously conceptual practice, working exclusively in distinct photographic series that examine the status of the image in contemporary art and visual culture.

Ruff's artworks and limited edition prints span a wide range of subjects, from large-scale portrait photographs and suburban interiors to appropriated internet imagery, astronomy, and digitally manipulated nudes. Each series operates as a self-contained investigation into representation, scale, and perception. His early portrait works, with their neutral backgrounds and forensic clarity, established his reputation for confronting viewers with the constructed nature of photographic objectivity.

A defining aspect of Ruff's photographic artworks is his engagement with technology. He has consistently embraced new imaging techniques, from night-vision devices and scientific imaging to digital compression and internet-sourced files. By enlarging low-resolution images or manipulating existing photographs, Ruff exposes the limits of photographic truth and challenges assumptions about authenticity and authorship.

Through his prints and editions, Ruff has reshaped the discourse around contemporary photography. His work continues to question how images are produced, circulated, and consumed, securing his position as one of the most influential contemporary photographers of his generation.

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