Thomas Demand – Grotto

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Thomas Demand (German, born 1964)

Grotto (from Catalogue Serpentine Gallery, Collector’s Edition), 2006/2009

Medium: Set of 2 cibachrome prints, exhibition catalogue

Dimensions: each 20.6 x 31.5 cm

Edition of 60 + 20 AP: One print signed, one print numbered, catalogue numbered

Condition: Mint

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Thomas Demand - Grotto

About this artwork

Thomas Demand – Grotto

Thomas Demand’s Grotto (from Catalogue Serpentine Gallery, Collector’s Edition) (2006/2009) consists of two cibachrome prints, each measuring 20.6 × 31.5 cm, accompanied by the exhibition catalogue. The photographs depict an intricately constructed paper model of a grotto, showcasing Demand’s signature method of transforming handmade cardboard reconstructions into hyperreal images. Published in an edition of 60 with 20 artist proofs, one photographic print is hand-signed, the other hand-numbered, and the catalogue itself is also numbered.

With Grotto, Thomas Demand continues his exploration of the intersection between memory, media, and constructed reality. By painstakingly building and photographing environments out of paper, he strips away context while amplifying the uncanny qualities of reproduced imagery. The grotto, a naturally formed structure recreated through artificial means, underscores Demand’s fascination with the fragile line between authenticity and illusion in contemporary photography.

Thomas Demand – Klause (Scheinprobleme in der Philosophie)

About Thomas Demand

Thomas Demand (born 1964, Munich, Germany) is a leading figure in contemporary photography, internationally recognized for his meticulously constructed photographic artworks that blur the boundaries between sculpture, image, and reality. Trained as a sculptor, Demand builds full-scale paper and cardboard models of interiors and architectural spaces, which he then photographs. The models are subsequently destroyed, leaving the photograph as the sole surviving artwork.

Demand's unique photographs and limited edition prints are typically based on media images of politically, culturally, or historically charged sites. By reconstructing these scenes entirely from paper, he removes incidental detail and human presence, creating spaces that feel both familiar and unsettling. The resulting photographs appear documentary at first glance, yet reveal subtle distortions that expose their artificial origins. Through this process, Demand challenges assumptions about photographic truth, authorship, and the reliability of images in shaping collective memory.

His prints often depict empty rooms, offices, stairwells, and institutional interiors that suggest recent activity while remaining devoid of figures. This absence heightens the tension between fact and fabrication, inviting viewers to question how history is mediated and remembered. Thomas Demand's photographic artworks are held in major museum collections worldwide and remain highly sought after by collectors of museum-quality contemporary art.

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