





Thomas Demand - Five Drafts (Simulator)
VAT not deductible (Margin Scheme).
Thomas Demand (German, born 1964)
Five Drafts (Simulator), 2004
Medium: The complete suite of 5 digital pigment prints on photo rag paper (framed)
Dimensions: 28 × 28 cm (11 x 11 in)
Framed dimensions: 32.5 x 32.5 x 2.7 cm (12.8 x 12.8 x 1.1 in)
Edition of 60 + X: One sheet signed, dated and annotated ‘BAT’ in pencil, all further annotated ‘ok’ in pencil (the ‘bon à tirer’ set)
Condition: Excellent, sold framed
Artwork details
Thomas Demand’s Five Drafts (Simulator) is a complete suite of five digital pigment prints on photo rag paper, each measuring 28 × 28 cm (32.5 × 32.5 cm framed). The images depict cardboard models in various stages of assembly, reflecting the artist’s process-driven practice of building and photographing ephemeral paper constructions. From an edition of 60 plus proofs, one sheet in this set is signed, dated, and annotated “BAT” (bon à tirer), with the remaining prints marked “ok” in pencil.
In Five Drafts (Simulator), Demand offers a rare glimpse into the provisional stages of his meticulously constructed paper models. Rather than presenting the polished, illusionistic environments for which he is best known, this suite foregrounds the studio process itself, revealing scissors, cardboard fragments, and geometric forms as building blocks of his staged realities. By documenting these drafts, Demand emphasizes the labor and artifice behind his images, underscoring his interest in how photography mediates perception and truth.
About this artist
Thomas Demand is a renowned German artist whose unique practice integrates sculpture and photography, creating large-scale, illusionistic photographs that are steeped in layers of interpretation and artifice. Initially trained as a sculptor, Demand began his artistic journey crafting intricate models from paper, which he then captured photographically. Over time, his method evolved such that the models themselves became transient, constructed solely for the purpose of photographing and then deliberately destroyed, leaving the photos as the sole enduring artworks. Demand’s artworks are meticulously staged recreations of scenes often sourced from media images that depict politically or historically significant locations. For instance, he has reconstructed environments like the bunker where an assassination attempt on Adolf Hitler was made, transforming them into life-size models made entirely from paper and cardboard. These models, while appearing ordinary at first glance, hold deep historical and political resonances. After photographing these painstakingly crafted scenes, Demand destroys the physical model, ensuring that the photograph serves as the final, enigmatic artifact of his artistic intervention. The resulting artwork challenges the viewer’s perception of reality, blurring the lines between what is real and what is fabricated. Demand’s art questions the authenticity of photographic representation and explores themes of memory and history, often depicting spaces that suggest human presence or recent activity yet remain hauntingly devoid of people. The artist has been the subject of solo exhibitions at major institutions including Fondazione Prada, Venice; Museum of Contemporary Art, Tokyo; National Gallery of Victoria, Melbourne; Neue Nationalgalerie, Berlin; Serpentine Gallery, London; Museum of Modern Art, New York; and Louisiana Museum of Modern Art, Humlebæk. He represented Germany at the 26th São Paulo Biennale in Brazil in 2004. Thomas Demand was born in Munich, Germany in 1964.

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