Thomas Demand – Five Drafts (Simulator)

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Thomas Demand (German, born 1964)

Five Drafts (Simulator), 2004

Medium: The complete suite of 5 digital pigment prints on photo rag paper (framed)

Dimensions: 28 × 28 cm (11 x 11 in)
Framed dimensions: 32.5 x 32.5 x 2.7 cm (12.8 x 12.8 x 1.1 in)

Edition of 60 + X: One sheet signed, dated and annotated ‘BAT’ in pencil, all further annotated ‘ok’ in pencil (the ‘bon à tirer’ set)

Condition: Excellent, sold framed

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About this artwork

Thomas Demand – Five Drafts (Simulator)

Thomas Demand's Five Drafts (Simulator) is a complete suite of five digital pigment prints on photo rag paper, each measuring 28 × 28 cm (32.5 × 32.5 cm framed). The photographs depict cardboard models in various stages of assembly, reflecting the artist's process-driven practice of building and photographing ephemeral paper constructions.

In this suite, Demand offers a rare glimpse into the provisional stages of his meticulously constructed paper models. Rather than presenting the polished, illusionistic environments for which he is best known, Five Drafts (Simulator) foregrounds the studio process itself, revealing scissors, cardboard fragments, and geometric forms as building blocks of his staged realities. By documenting these drafts, Demand emphasizes the labor and artifice behind his artworks, underscoring his interest in how photography mediates perception and truth.

Published in a limited edition of 60 plus proofs, one sheet in this set is signed, dated, and annotated BAT (bon à tirer) by the artist, with the remaining prints marked "ok" in pencil. This suite stands as a significant example of Demand's photographic practice and his sustained investigation into the relationship between construction, documentation, and illusion.

Thomas Demand – Klause (Scheinprobleme in der Philosophie)

About Thomas Demand

Thomas Demand (born 1964, Munich, Germany) is a leading figure in contemporary photography, internationally recognized for his meticulously constructed photographic artworks that blur the boundaries between sculpture, image, and reality. Trained as a sculptor, Demand builds full-scale paper and cardboard models of interiors and architectural spaces, which he then photographs. The models are subsequently destroyed, leaving the photograph as the sole surviving artwork.

Demand's unique photographs and limited edition prints are typically based on media images of politically, culturally, or historically charged sites. By reconstructing these scenes entirely from paper, he removes incidental detail and human presence, creating spaces that feel both familiar and unsettling. The resulting photographs appear documentary at first glance, yet reveal subtle distortions that expose their artificial origins. Through this process, Demand challenges assumptions about photographic truth, authorship, and the reliability of images in shaping collective memory.

His prints often depict empty rooms, offices, stairwells, and institutional interiors that suggest recent activity while remaining devoid of figures. This absence heightens the tension between fact and fabrication, inviting viewers to question how history is mediated and remembered. Thomas Demand's photographic artworks are held in major museum collections worldwide and remain highly sought after by collectors of museum-quality contemporary art.

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